Tag Archives: freelance writing

There’s No Excuse for Bad Content

Image via Velocity Partners. Click to access a great deck about content quality.

Image via Velocity Partners. Click to access a great deck about content quality.

Content marketing is the outgrowth of a number of long-terms trends in the communications business.  The ability of anyone to be a publisher.  The shrinkage of traditional media.  The questionable effectiveness of online advertising.  The changes in search.

But ultimately it is about producing content that is exactly what your audience wants to read.  Exactly what they are looking for.  The answer to their search for information.

Commercially produced content has rarely been any of the above.  Traditionally it has garnered views by trying to be in the right place at the right time so that the viewer/reader sees it in spite of the fact that he or she is really looking for something else.

Sponsored content, advertorial, paid content, pre-roll, whatever you call the output of marketing  and PR it has no doubt been considered B-list, isolated from the somehow purer editorially-produced content or the presumedly more valuable organic search result.

So content marketing is about moving up to the A-list.  Not trying to hitch a ride on the coattails of the seemingly more popular.  It’s about being the destination, not hanging around in the same neighborhood.

Which brings us face-to-face with the issue of content quality.  It is the prerequisite, the precursor, the minimal requirement, the absolute starting point for content marketing.  Because, let’s face it, marketing content traditionally just hasn’t been that good, focusing as it has on tweaking the reader’s wallet rather than his or her interest.

I’ll be the first to admit that I think journalist-produced content written for independent publishers is going to be better and more interesting to me than something that comes out of any organization’s marketing or PR department, but there’s also no reason that has to be the case.  Good writers aren’t that hard to find, and neither the number of opportunities nor the salaries paid by the media are going to make them inaccessible.  Photos, videos, and other types of images are easier to produce than ever.

And when you have good writers, good photographers, good videographers, you have to turn them loose.  Carefully-crafted, on-point, closely controlled organizational messaging isn’t going to work in content marketing, just as it doesn’t work in social media.  Take advantage of the diversity of voices and styles within your organization, don’t squeeze them.

And finally, produce content for your reader, not for your boardroom or your attorneys or for the search robots.  Create stuff you’d want to read, want to see.  Or…go back to buying banner ads.

Author Ken Dowell is PR Newswire’s EVP of social media & audience development.

Got some good content?  We can help you do some interesting things with it.  (And if you don’t have any, we can help you with that, too.)

Making it on Mashable – Calling Guest Writers with Great Ideas

Voted one of the top ten blogs by Businessweek, Mashable has become the media darling – the top source for news and digital media.  According to CEO Pete Cashmore, who was quoted in the New York Times this week, the site had 17 million unique visitors in September.

That’s no surprise to San Francisco Bureau Chief Chris Taylor, who thought they might have been on track to top 20 million when he spoke to an audience just last week.  Taylor was part of a news roundtable hosted by Graffiti PR.  He joined  Aaron Pero, News Director for KRON 4 TV and Theresa Rodriguez, founder of sites TangoDiva.com and Jetset Extra to offer up thoughts and impressions “behind the news and stories”.

Mashable measures its own content’s success in part through the same channels it covers – social media.  A story has to have at least 1,000 shares on sites like Facebook, Twitter and Stumbleupon as a baseline benchmark for being a good read according to Taylor.   He says about a third of Mashable’s traffic comes from Facebook and Twitter, another third from Google, and a third from direct visitors to the site.

Whether it’s a story about artificial intelligence coming to the iPhone — or digital platforms poised to change the conversation in election year 2012, Mashable is on top of the trends.  And Taylor gets pitched — a lot.

“I receive an insane volume of pitches,” he revealed; even more than when he was Bureau Chief for Time Magazine.   He claims a ‘pitch a minute’ is no exaggeration.

Mashable is a 24-hour shop run by about 55 employees, and the door is open to guest writers.  Taylor says it’s not just for well-known names — they cast the net far and wide.  The bottom line is the ability to write concise and short.  If you can keep your copy to under 800 words, all the better, says Taylor.   He offered up this insight to budding Mashable contributors after the San Francisco forum:

Submissions can be sent to Josh Catone at joshcatone@mashable.com.  Pitches can be sent to news@mashable.com

Diane Harrigan Account Manager, PR Newswire SF and author of the video blog PostcardsFromSF.