Tag Archives: Journalist

January Media Moves & News

PR Newswire’s Audience Research Group continually updates the media database that powers our MEDIAtlas service, and our popular Microlists, which let you target niche audiences on the fly.  Here’s a summary of recent media and blogger updates.  Updates by region can be found here: http://www.prnewswire.com/knowledge-center/mediaware/January2012MEDIAtlasUpdatesbyRegion.html

Are you ready for some football?!! Then you’ll want to check out the new NFL Magazine. Launched in mid-December, the magazine is the official magazine of the National Football League. Printed monthly, the new publication will include articles on the games, teams and personalities of pro football. Circulation is approximately 300,000 to 400,000. Regular contributors to the magazine will be well-known analysts and reporters as well as some retired players and coaches. The Editor is Jim Buckley, whose email is jbuckley@shorelinepublishing.com. Check out the website at http://www.thenflmagazine.com.

CBS Television has decided to revamp its morning line-up and is replacing The Early Show (http://www.cbsnews.com/sections/earlyshow/main500202.shtml) with a new show called CBS This Morning. Hosted by Charlie Rose, Gayle King and Erica Hill, the show will debut on January 9th. Rose and Hill will anchor the 7:00 a.m. ET hour, which will focus on hard news. King will anchor the 8:00 a.m. hour which will include news more focused toward women. Chris Licht will serve as Executive Producer of CBS This Morning. Chris Wragge, who Co-Anchored The Early Show, will return to CBS’ New York station. The Early Show News Anchor Jeff Glor will now be the show’s Special Correspondent. He will also Anchor on Sundays.

Geraldo Rivera dons yet another hat as he becomes a morning radio Host on WABC-AM. His show will air 10:00 -11:00 a.m. weekdays. He replaces former Host Joe Crummey. Rivera will also continue at Fox News as Weekend Anchor/Reporter.

It wasn’t a happy holiday season at Reader’s Digest Association. The company has laid off 150 positions. Approximately 75 of those are in the United States while the remaining are international. The company wants to focus on its top brands, such as “Reader’s Digest,” “The Family Handyman” and “Taste of Home” so it eliminated mostly positions that were not directly related to those titles.

Playboy magazine is planning to move its editorial, art and photo departments from their Chicago headquarters to Los Angeles in April 2012.

The Chicago Reporter will join forces with WMAQ-TV, the NBC station in Chicago to provide additional investigative reporting as part of an agreement between non-profit news organizations and NBC-owned stations.

Following on the heels of a number of other broadcast stations, WCBS-AM has moved to lower Manhattan. It’s now located in the same building as its sister stations – WINS-AM, WFAN-AM, WCBS-FM, WXRK-FM and WWFS-FM. The address is: 345 Hudson Street, New York, NY 10014.

YUE is a new, bi-lingual, Chinese-English magazine. It debuted in New York City with a circulation of 35,000. The quarterly magazine is geared toward the upper class with stories on fashion, dining, shopping, travel and entertainment. It is being published and edited in English and Mandarin by Ms. Chiu-Ti Jansen. The website is not yet up and running. But story ideas can be emailed to either editor@yuemagazine.com or publisher@yuemagazine.

George Stephanopoulos is returning to “This Week.” Current Host Christiane Amanpour has returned to her roots as an International Reporter. She will be hosting a new global affairs show on CNN International. However, she will still produce about six primetime, news specials per year on ABC. Stephanopoulos, meanwhile, will stay as Co-host of “Good Morning America” while also hosting “This Week.”

An anthrax scare shut down the newsroom at WPIX-TV last month. An employee received a threatening letter which contained white powder. The scare came shortly before the 5:00 p.m. newscast so Reporter Kristen Cole opened the broadcast outside. Once police and a Hazmat team decontaminated the studio, Anchor Jodi Applegate was able to take over the regular inside anchoring duties.

Former Los Angeles Times Wine Critic Lawrence Robert Balzer passed away of natural causes at the age of 99. Balzer was Wine Critic for the paper from 1965 to 1995, wrote several books and taught wine-tasting classes aboard the Queen Mary until a few years ago.

The entertainment publication Variety will offer a film production tracking service called FlixTracker. The paid service will collect information about films in development and production, information on how to contact Hollywood executives, film budget details and various other industry information. The service will be solicited to Hollywood companies and studios for a $1000 annual subscription fee.

PaidContent.org has established a West Coast presence by hiring Daniel Frankel from TheWrap as its West Coast Senior Editor. Frankel replaces Andrew Wallenstein. Follow Frankel on Twitter at http://twitter.com/dannyfrankel.

Sports Columnist Bill Conlin retired abruptly from The Philadelphia Daily News after a story alleging he abused children broke in sister newspaper The Philadelphia Inquirer.

Pittsburgh’s WWCS-AM (http://www.birach.com/wwcs.html) has dropped its Spanish-laced programming and is picking up the national Fox Sports Radio feed with this New Year. This is the third format change in three years for this Birach Broadcasting station. They previously aired the Radio Disney feed before the Spanish programming change. Sima Birach (sima@birach.com) is the Station Manager.

Ron Smith, longtime conservative talk show host at WBAL-AM and a Columnist at The Baltimore Sun passed away recently from pancreatic cancer at the age of 70. Ron wrote 146 conservative columns for the Sun (not a conservative paper) and was amazed they gave him the forum starting in 2008. He had retired from the newspaper in November and the radio airwaves in early December.

After much anticipation, CNN has finally announced the names of its new morning shows. Ashleigh Banfield (Ashleigh.Banfield@turner.com), who was a former MSNBC Anchor, will Co-host along with Zoraida.Sambolin (Zoraida.Sambolin@turner.com) the newly created morning show titled “Early Start”. Soledad O’Brien will lead the 7:00 – 9:00 a.m. morning segment entitled “Starting Point”. “Starting Point” is set to take a “conversational ensemble” format with the host at the center. The two new morning shows are set to air this month.

After 27 years of publishing, Florida Underwriter Magazine has made the announcement that its December issue was its last. After filing for Chapter 11 bankruptcy in January, Publisher Summit Business Media has announced it will cease publication due to financial hardship and the uncertainty of digital mediums.

AMERICAN CAR COLLECTOR magazine has launched with a January 2012 issue. The new magazine features collectable American cars, and covers the market, collectors, new products, auctions and events. Sister publication CORVETTE MARKET is being merged into American Car Collector. Jim Pickering is now the Managing Editor. He can be emailed at jim.pickering@sportscarmarket.com while the new website is http://www.americancarcollector.com

GAMEPRO, a gaming magazine and website ceased publication on December 5. It was in print for 22 years. The publication has integrated operations with PCWORLD.COM

KTRV-TV,  an independent station in Boise, Idaho, has closed its news operations. They have announced plans to cut production staff as well.

Marty Davis, publisher of the gay lifestyle-focused Just Out newspaper, has announced that the Portland newspaper will cease publication after its December issue. The paper had been published for 28 years.

Ted Williams known as the man with the golden voice is now working at one of New England’s most popular stations, The New England Cable Network. Williams was discovered along the side of a road in Columbus Ohio peddling for money.

Raul Rodriguez has been named Vice President and General Manager for Univision’s KDTV-14, KSOL and KBRG. Adriana Muro has been promoted. Her new title at Telemundo’s KDEN-25 now reads Creative Services Manager.

Telemundo Station Group has a new President. Manuel Abud will be the leader, replacing Ronald Gordon in 2012.

Univision and other top Latin stations have come to an agreement with Hulu. Hulu will now be offering a Spanish programming to its subscribers. Nineteen employees from The Denver Post have accepted voluntary buyouts to avoid layoffs.

The Gazette, in Colorado Springs, reports a number of employee buyouts as the reorganization and “digital-first” initiative takes place. The San Diego Union-Tribune is now known as U-T San Diego. The name change will unify print and digital products under one brand. The online edition at SignOnSanDiego.com is now: http://www.utsandiego.com

December Media Moves and News

PR Newswire’s Audience Research Group continually updates the media database that powers our MEDIAtlas service, and our popular Microlists, which let you target niche audiences on the fly.  Here’s a summary of recent media and blogger updates.  Updates by region can be found here:  http://www.prnewswire.com/knowledge-center/mediaware/December2011MEDIAtlasUpdatesbyRegion.html

After four years, Philadelphia’s 6ABC Action News Facebook page (https://www.facebook.com/6abc.ActionNews?ref=ts) has topped 100,000 likes. That may seem small, but WPVI-TV’s news page had 27 million post views in September and that number speaks volumes. The number one news station in town has become the number one go to news site in the Philadelphia area on Facebook to reach its viewers/readers online with Action News updates and breaking news. If you add up all of their talent pages they reach another 280,000 people as well. This has proved to be a successful model of the marriage between social and broadcast media. Their main website is: http://www.6abc.com and their Twitter page is: https://twitter.com/6abc

Gannett recently passed a new rule onto its readers: If you want to say something on any of their sites for example The Orange County Register and The San Diego Union-Tribune you must join Facebook to do so. This rule is mandatory for anyone to provide any online commentary to its stories for all of its newspaper sites and broadcast entities as well.

The axe has fallen again at the New York Daily News. As part of its down-sizing plan, the Daily News has let go the following personnel: Senior Features Writer Jane Ridley; Front Page Editor John Cochran; City Hall Reporters Frank Lombardi and Kathleen Lucadamo; Deputy Police Bureau Chief Bob Kappstatter; Reporters Jose Martinez, Mike Jaccarino and Barbara DiGiarmo as well as Scott Shifrel, who covered the Federal Courts. Also leaving the paper but not laid-off are Managing Editor Stuart Marques and Photo Editor Gretchen Viehmann, who resigned from their posts.

Alina Falcon makes a big switch leaving her role as President of News at Univision Network (http://www.univision.com) to become Vice President of News & Alternative Programming at Telemundo Network (http://msnlatino.telemundo.com). You can follow Telemundo on Twitter here: https://twitter.com/Telemundo and on Facebook here: https://www.facebook.com/Telemundo

Joining the other recently added programs on MSNBC such as “Up With Chris Hayes,” “NOW with Alex Wagner” debuted last month. On the show, Host Ms. Alex Wagner moderates a panel discussion. The panelists vary from show to show. The Executive Producer is Dana Haller. The show airs at noon and replaces “MSNBC Live.” Send story ideas to dana.haller@nbcuni.com.

News 12, Newsday and MSG Varsity are now combined under one umbrella. Cablevision, the owner of the three outlets, is combining both the news and sales staffs. Newly named VP Debby Krenek (debby.krenek@newsday.com) will be in charge of the news department. She has also been given the title of Editorial Director at Newsday while Debbie Henley (debbie.henley@newsday.com) takes over as Editor-in-Chief at the paper. In the sales department Publisher Fred Groser (fred.groser@newsday.com) will now share his head of sales duties with David Kline. Kline is president and COO of Cablevision Media Sales.

After 30 years on-air, Regis Philbin, 80, said goodbye to viewers on Live! With Regis and Kelly. Although this marks the end of his days as Host on Live!, he plans on continuing his television career. Philbin hopes to host a primetime talent show and has formed a production company in hopes of creating a family competition show. Live! has yet to name a replacement for Philbin but potential candidates include Ryan Seacrest, Mario Lopez, Jeff Probst, Chris Harrison, Mark Consuelos, Chris Cuomo, Billy Bush, Neil Patrick Harris and Mike Rowe.

CNN – Cable News Network announces the death of its morning program and the birth of two new morning shows. After over ten years on the air, CNN has called it quits on “American Morning” and it will cease production sometime in January of 2012 . In replacement of the empty morning slot, CNN also makes the announcement that two new morning shows, whose names are yet to be titled, will air during the 5:00-7:00 a.m. time slot. Ashleigh Banfield (Ashleigh.Banfield@turner.com) and Zoraida Sambolin (Zoraida.Sambolin@turner.com) are going to anchor the morning shows. Soledad O’Brien, CNN’s Special Correspondent, will also anchor the 7:00 to 9:00 a.m. morning segment. Shannon High (Shannon.High@turner.com), who has worked with NBC Television Network, is set to serve as Executive Producer for both morning programs. CNN has also launched a new program called “The Next List” hosted by CNN Chief Medical Correspondent Dr. Sanjay Gupta (Sanjay.Gupta@turner.com). The half-hour show, which is set to broadcast weekly on Sundays at 2:00 p.m., will feature guests from various industries. Jim McGinnis (Jim.McGinnis@turner.com) is set to serve as the show’s Executive Producer.

The Pittsburgh Press is back! The Pittsburgh Post-Gazette has revived its deceased rival, The Pittsburgh Press, as an afternoon online edition available as a subscription to online readers. Breaking News Editor Tim McDonough (PittsburghPress@post-gazette.com) will also be the Editor of this E-Edition. You can view a sample of it here: http://presssample.post-gazette.com/

The man who ran Engadget, Editor Joshua Topolsky (joshua@theverge.com), returns to the technology field with an online site titled The Verge (http://www.theverge.com/). It covers the latest gadgets and high tech toys. Joshua has brought a lot of the Engadget staff on board for this venture including Managing Editor Nilay Patel (nilay@theverge.com). The site provides breaking news coverage on all things tech, new products, reviews, social media and also features tech content from The Washington Post. The Verge tweets are here: https://twitter.com/verge

The launch of a new media company, MLive Media Group and Advanced Central Services Michigan has resulted in about 550 layoffs at Michigan-based Booth Newspapers and MLive.com. Here is the break down of employees let go for each newspaper in the Michigan area: The Grand Rapids Press released 146 employees; The Flint Journal 91; Kalamazoo Gazette 77; The Bay City Times 71; The Jackson Citizen Patriot 71: Booth Michigan 55; Valley Publishing 20; and The Saginaw News 12. There also were layoffs at The Muskegon Chronicle. The number of employees there was not disclosed. MLive Media Group will handle news and advertising, while Advance Central Services Michigan will handle production, distribution, and human resources. All employees that were part of the layoff are eligible to apply for new positions within the new media company.

Nexstar Broadcasting has terminated several people from WEHT-TV, the ABC affiliate in Evansville, Indiana. Nexstar arranged to acquire WEHT-TV from Gilmore Broadcasting in August. General Manager Doug Padgett and News Director Mark Glover are among those who were let go. Reporter and Weekend Sports Anchor Sean Clark-Weiss; Morning Co-Anchor Whitney Ray; Reporter Nick LaGrange; and Sports Director Mark McVicar will also be let go, as well as other producers, directors and editors. As the station merges operations with independent WTVW-TV, the newscasts will get a fresh look and new talent. WTVW-TV Evening Anchors Randy Moore and Julie Dolan will move to mornings on WEHT-TV and Meteorologist Ron Rhodes will join them.

Philadelphia Magazine (http://www.phillymag.com) has re-launched its old gossip page as a newly designed stand-alone website titled The Philly Post (http://blogs.phillymag.com/the_philly_post/). The site will offer news and opinion from its regular magazine staff along with outside contributors from the Philadelphia region. Janine White is the Editor (jwhite@phillymag.com) and Victor Fiorillo (vfiorillo@phillymag.com) is the main Reporter. The new site is designed to catch on with its younger readers and also keep its core group on top of everything in Philly.

The new Co-Host of NPR’s “All Things Considered” (http://www.npr.org/programs/all-things-considered/) is Audie Cornish, She was previously hosting NPR’s “Weekend Edition” and will take the spot of Michele Norris who has taken temporary leave for a year. Audie joins longtime hosts Michele Block and Robert Siegel. ATC’s Twitter is: https://twitter.com/npratc

Sorry to report Publisher Christopher Ma recently passed away from a heart attack at the age of 61. Christopher was not only a Publisher at the Express (http://www.readexpress.com) newspaper but also a Vice President at The Washington Post Company.

Two Denver Post employees, Religion Reporter Virginia Culver and Pulitzer Prize-winning Editorial Cartoonist Mike Keefe, have accepted the paper’s buyout offer. More staff is expected to take the buyout offer in the coming months.

The American Independent Network has merged all of its sites (The Minnesota Independent, The Iowa Independent, Michigan Messenger, New Mexico Independent) into one online outlet — The American Independent (http://www.americanindependent.com/).

The Los Angeles Times is preparing to merge the design, news and web operations staff into one department after the first of the year. Layoffs are expected.

Real estate developer Douglas Manchester is the new owner of the San Diego Union-Tribune. It’s rumored that Manchester may have future plans to shut down the printing presses and go online only.

It is with great sadness that CNN announces the tragic death of longtime veteran anchor Stanley Wright Case. Fifty-nine year old Case had been hit in a head-on accident during a rainstorm in Birmingham when a truck collided with Case’s car. His wife remains in the hospital in critical condition. Case had served at the network since 1985 and served as the anchor for CNN Radio.

After two years on the air of the HLN network, “The Joy Behar Show” has announced that it will no longer continue production and it set to air its last show in mid- December of 2011. The show deputed on HLN with host Joy Behar back in September 2009. Behar will continue to serve as one of the hosts on “The View”.

ProfNet Connect Blog Roundup: Social Media for Writers & Journalists, Classroom of the Future, National Costume Sweep Day

ProfNet Connect, our free online community for journalists, bloggers, PR pros, experts and communicators of all stripes, features blog section where members can write and post as their hearts desire.  The site is chockablock with interesting people and content.  Here are some of the most popular posts from last week. Enjoy!

Upcoming #ConnectChat: Social Media for Writers and Journalists
Maria Perez, director of news operations at ProfNet will host our next #ConnectChat which will take place Tuesday, Sept. 13., and will focus on social media for writers and journalists. Join us as award-winning investigative reporter Dave Copeland explores how writers can use social media to develop story ideas, report more effectively, and promote their work to a wide cross-section of readers.
@profnet

Dear Gracie: How to Stand Out on a Panel
Each week, Dear Gracie (ProfNet editor Grace Lavigne) answers questions from ProfNet Connect readers with advice from our network of more than 44,000 ProfNet experts. This week she answers the question, “I’ve been invited to speak on a panel at a conference. It will be recorded and later shown on TV and to other industry professionals. Any tips for how to rock on a panel?”
@GNightGracie

Who Says This is the Classroom of the Future?
Alvaro Fernandez, CEO and co-founder of SharpBrains.com addresses the question, “What if we questioned the very premise behind naming some classrooms the “classrooms of the future” simply because they have been adding technology in literally mindless ways?
@AlvaroF

2nd annual National Costume Swap Day generates huge interest
Last year’s inaugural National Costume Swap Day was an incredible success with 77 swaps in 23 states and Canada and thousands of people saving money and avoiding throwing costumes into landfills. Lynn Colwell of The Green Year, LLC tells us about this fun and green way to celeberate Halloween!
@CelebrateGreen

Should journalists be licensed?
Should journalists be licensed? Should they have some sort of certification indicating that they’re legitimate and trained professionals? A recent article from GigaOm made ProfNet Connect’s community editor Evelyn Tipacti wonder if this is something that should be considered similar to what is done in other professions.
@editorev

Stay abreast of conversations, trends and opportunities by joining us on ProfNet Connect, a free online community for journalists, bloggers and communications professionals to meet, connect and share their expertise.   Creating a profile on ProfNet connect adds a search-engine friendly element to your digital resume, bolsters your online reputation and enables you to showcase your expertise to media and bloggers.   Did we already mention that membership is free?  http://profnetconnect.com

SXSW Panel Picker: Vetting Content in the Age of Social

Content credibility in the social age. Who's vetting it? A proposed panel for SXSW 2012. Click the image to access the SXSW Panel Picker and cast a vote for this panel!

Update!  Our panel was picked!  Add it to your SXSW 2012 schedule:

http://schedule.sxsw.com/2012/events/event_IAP9214

 

We all know them – the inveterate forwarder of e-mail “news.”   They dutifully forward prayer requests for grievously injured children or animals, histrionic political diatribes and proven hoax after proven hoax.  Despite your best efforts, they refuse to visit Snopes or make any effort to verify the veracity of the messages they forward to their entire address book.

I have a family member who I believe is one of the leading sources of e-mail spam,  so prolific is she in spreading email missives.   Where does she get this stuff?  Who is she believing?  Who is influencing her behavior?

Her friends.

Let’s face it.  As much as we love our family and our friends, a lot of people we know aren’t terribly judicious in the content the like, share and forward.   They don’t check the truthfulness of or question the biases in the information they share.  They aren’t skeptical.  They seem to inherently trust the information they find online, believing that there’s safety in numbers. They reason  if 10,000 other people liked or shared this tidbit, it must be accurate.

Sharing news and information on social networks is popular.  But as Facebook, Google+ and other networks refine their user experiences, they’re enabling us to create walled gardens around ourselves.   We can quite literally choose to hear (or read) only what we find appealing or agreeable.

Information – especially that we receive from people we trust- influences our behaviors, helping us determine what to buy, to which organizations we should donate, and for whom to vote.  Herein is the reason why the uncertain outlook for news media is so disconcerting.  Without professional journalists to ask tough questions and sniff out stories, society will suffer.  Who will look into dark corners and find out what’s going on behind the closed doors of local school boards, civic governments or corporate boards?  As a whole, as a society, we’ll be less informed.

These are just some of the reasons we’re proposing to delve into the vetting of content – either by friends or professionals – at South By Southwest Interactive next Spring.

Titled “Vetting in the Age of Social: Who do you trust?” and featuring a panel of media experts, including  Tony Uphoff, CEO of UBM TechWeb, and CNN’s Alicia Stewart,  the session proposes to delve into what makes trusted content, and implications for brands.

We think this is an important conversation communicators need to have, and there’s no better forum than SXSWi.   If you agree, please visit the SXSW Panel Picker, and give this panel the thumbs up.

Link: SXSW Panel Picker 2012

Author Sarah Skerik is PR Newswire’s vice president of social media.

Media Moves and News for August

PR Newswire’s media research team continually updates the media database that powers our MEDIAtlas service, and our popular Microlists, which let you target niche audiences on the fly.  Here’s a summary of recent media and blogger updates.  Updates by region can be found here:  http://www.prnewswire.com/knowledge-center/mediaware/August2011MEDIAtlasUpdatesbyRegion.html

The Associated Press’s new “TwitBook” of employee guidelines for Social Media has been posted. It includes rules on what personnel can opine on and what they cannot on their personal Facebook and Twitter pages. Sports and Entertainment Reporters seem to have more leeway for expressing themselves on subjects, but cannot trash-talk according to the document. Here are the AP Rules of Social Engagement: (http://www.ap.org/pages/about/pressreleases/documents/socialmediaguidelinesforapstaff2011.pdf)

Chicago’s largest daily newspaper, the Chicago Tribune will cut about 20 employees, mainly in its newsroom. Also, some executives will also be relieved of their duties at the Tribune Company. On the opposite side of the pendulum, Publisher of Chicago Tribune Media Group Tony Hunter has been promoted to Tribune Publishing CEO. His duties will include overseeing six more newspapers and the print and digital operations of the Sun Sentinel in Fort Lauderdale, FL.; Orlando Sentinel; Baltimore Sun; Hartford (Conn.) Courant; the Morning Call of Allentown, PA., and Daily Press of Newport News, Va.

The Los Angeles Times has won the prestigious Associated Press Managing Editors Public Service Award. This is the second major award for the papers investigative report on the small city of Bell, California’s scandal where city employees were paying themselves salaries as high as $800,000 a year.  The entire Bell scandal has its own section here: http://www.latimes.com/news/local/bell/

What’s in a name? A rose by any other name… The financial publication U.S. Banker has changed its name to American Banker Magazine (http://www.americanbanker.com). This may cause a little confusion at first as its sister publication is already named American Banker. The former is a monthly magazine while the latter is a daily newspaper. Both are owned by SourceMedia. The name change will not affect current subscribers.

The Philadelphia Media Network (The Philadelphia Inquirer, Philadelphia Daily News) are in the Android business. They are going to start selling Android tablet computers at cut-rate prices to its digital subscribers. They are going to sell 2000 in August and if all goes well expand this plan for a Black Friday/Holiday rush. Check it out here: http://www.philly.com/philly/business/20110712_PMN_unveils_digital-tablet_plan__technology_initiative.html?ref=more-like-this

Entertainment Site, TheWrap (http://www.thewrap.com) is partnering with Thomson Reuters as its primary entertainment news source, replacing The Hollywood Reporter and Billboard. Joining TheWrap are Movie Critic Alonso Duralde, Music Reviewer Chris Willman and Senior Writer Fred Schruers.

The San Diego Union-Tribune has hired an investment banking firm to explore various future alternatives for the paper. Staffers at the paper are speculating major layoffs or maybe even the possibility of the paper being sold.

New York’s WRXP-FM (101.9) is changing formats but so far it’s a secret as to what that format will be. The rumor is News/Talk. What’s not a secret is the new call letters: WEMP-FM. The original Rock format has been temporarily changed to Adult Contemporary. The changes came about when the station was sold by Emmis Communications to Merlin Media. DJs Leslie Fram, Matt Pinfield and Steve Craig were all let go as was Operations Manager Brian D’Aurelio. Host Paul Cavalconte has remained while Traffic Reporter Jeff McKay and Producer Jennifer Keeney Sendrow have been hired.

New York Post fired top Police Reporter John Doyle after news was leaked to Adweek that the paper would be increasing its newsstand price. After Adweek published the exclusive story that the newspaper would be increasing its price from 50 cents to 75 cents, New York Post went on an investigation to find out who was leaking inside information.

United Sports Publications Ltd. (USP) has launched the inaugural issue of a new tennis magazine called New York Tennis Magazine (http://newyorktennismagazine.com)New York Tennis Magazine is the official publication of the United States Tennis Association/Eastern-Metro Region.  The magazine can be picked up in locations such as tennis facilities, camps, country clubs and parks throughout the New York City boroughs.

The Dallas Morning News has pulled the plug on it’s free, weekly entertainment tabloid Quick. Publisher Jim Moroney said the publication had been a “break-even business” for years now. Seven full-time and two part-time employees will lose their jobs.

Better Homes and Gardens, owned by Meredith Corporation, has upgraded to new tools; improving consumer navigation. The website content includes cooking, decorating, entertaining, gardening and health subjects.

Veteran Chicago broadcaster Steve Dahl is trading the restraints of traditional broadcasting for a new independent podcast. Check him out at http://www.dahl.com/

Legendary Milwaukee Anchor John McCullough, who anchored for the WTMJ-TV NBC-affiliate for over 20 years, has passed away.

Fox affiliate WFFT-TV in Fort Wayne, Indiana is now an independent station. The station will offer more local news content, new feature entertainment, prime-time programming and blockbuster movies. The station will also expand its weekday 10:00 p.m. newscast to an hour.

Fox affiliate WXIX-TV in Cincinnati, OH is expanding its morning news coverage to begin at 4:00 a.m., the earliest live broadcast in the Cincinnati area. The station will produce a half-hour weekday show devoted to weather, “Fox 19 First Weather at 4 a.m.” Meteorologists Frank Marzullo (fmarzullo@fox19.com) and Katy Morgan (kmorgan@fox19.com) will host the morning show. Anchor Rob Williams (rwilliams@fox19.com) will contribute with headlines.

As of June 30th WNJN-TV went off the air. On July 1st programming began for NJTV which is comprised of WNJN, WNJS, WNJB, and WNJT. NJTV is run by New York’s WNET-TV.

Getting on Daytime TV Talk Shows

The Publicity Club of New York hosted a luncheon in late July featuring segment and guest producers from some of the top-rated daytime TV talk shows:

Following are highlights of the very informative session, which was also streamed online. To sign up for the streaming pass, click here.

‘GOOD MORNING AMERICA’

Neger is coordinating producer for ABC News’ “Good Morning America,” where she produces live book and author segments, live medical/health segments, and animal/wildlife features. She produces regular segments with both Jack Hanna, director emeritus of the Columbus Zoo, and veterinarian Marty Becker. She also co-created the shows ground-breaking women’s health coverage, “The Healthy Woman.” In addition, she works with a number of special-interest magazines, producing lifestyle pieces for the show.

Before pitching “GMA,” it’s important to know the show, said Neger. The broadcast is broken down into four sections:

  • 7 to 7:30 a.m. is the news half hour.
  • 7:30 to 8 a.m. is informational. Features have to be “buzzy” and visual (video, lots of pictures). For example, they recently interviewed a doctor regarding the heat wave hitting various parts of the country. Rather than interviewing the doctor in the studio, they interviewed him in a sauna. At the beginning of the interview, they weighed him and took his vitals, and then compared them to his weight and vitals after being in the sauna. This helped them explain to viewers what happens to a body in extreme heat. “We are always trying to find visual ways to tell the story,” said Neger. “We are television. We don’t want talking heads. We’re always looking for a ‘television moment’ – what people will be talking about after the show.”
  • 8 to 9 a.m. is hip, fun, visual entertainment – e.g., a fashion show featuring twins, one wearing a “splurge” item and the other wearing a “knockoff.” The anchors then try to guess which one is wearing which.

By watching the show, you’ll get a better idea of what they do and don’t cover. “Not every person or product is appropriate for the show.” For example, don’t pitch “20/20” with a story about eyebrow waxing (an actual pitch a colleague of hers at “20/20” recently received).

Also, be aware of timing. Know what’s making news so you know when not to pitch. “If there’s a big news story, like a plane crash, don’t pitch a story at that time,” said Neger.

You can assume the show wants exclusivity, said Neger, adding that she would like to know if you’re pitching the same story to other shows. And if you are, make sure you proofread your email. “I got an email that said, ‘This would be perfect for Matt and Ann,’” she said.

If you have a deadline by when you need to hear back before you take the story elsewhere, include that in the pitch, as well.

A few additional tips when contacting Neger:

  • She prefers pitches by email (patty.neger@abc.com). Keep them short, with the topic in the subject line and your client’s info in the opening paragraph. Don’t get too personal. And avoid calling a few minutes later to ask if she got the email.
  • If you’re leaving a voicemail message, make sure to include your name and phone number at the beginning and end of the message.
  • If sending snail mail, send to the show’s new location, 47 West 66th St. Although the show still has a studio downtown, Neger doesn’t visit it very often and prefers mail be sent to the new location

Neger added that “Good Morning America” is “really into social networking.” The show was 1.7 million followers on Twitter, and all of the anchors tweet, often during the show. If what you’re pitching has a social tie-in, make sure to mention it in your pitch.

“LIVE! WITH REGIS AND KELLY”

Burkhard explained that the program’s first section, in which Regis and Kelly talk about whatever’s on their mind, is not pitchable. “It’s totally organic,” she said. “They don’t even talk about it before the show.”

The show has three other sections: two top celebrity interviews and a demo. Demos can be about music, cooking, etc. – anything that’s “fun, different, really unique, and hasn’t been anywhere,” said Burkhard. “We want to be first if we can.”

When pitching, mention any pictures, videos, etc., that are available.

The show books three months in advance, so also keep that in mind when deciding when to pitch.

“TODAY”

The “Today” show has four hours of content to fill every day:

  • 7 to 7:30 a.m. is the news half hour.
  • From 7:30 to 8 a.m., it starts changing a bit.
  • 8 to 9 a.m. is more feature-oriented, with mom stories, entertainment, books, etc.
  • 9 to 10 a.m. includes some news elements, as well as health-oriented stories and features like “Money 911.”
  • The 10 a.m. hour “is pretty much just a drinking thing,” joked LaGreca.

LaGreca echoed the other panelists when she stressed the important of being familiar with “Today” before pitching: “Know the show. Know who you’re pitching. Don’t do the generic thing.”

LaGreca also shared a list of her do’s and don’ts for pitching stories to “Today”:

Do:

  • Do know the person to pitch.
  • Do try to make your product part of a bigger story.
  • Do be transparent. If you have a medical expert that has ties with your client, tell them upfront.

Don’t:

  • Don’t pitch by phone. “I just don’t have the time.”
  • Don’t be too personal in your pitches. “I don’t like, ‘Happy Friday!’ or ‘How are you today?’ or overuse of exclamation points. I want something that’s useful.”
  • Don’t send attachments. “I once got an email with 24 jpegs attached. It’s just not necessary.” If you have a visual component, include a link to the video or to a website where she can view pictures.
  • Don’t follow up incessantly after sending a pitch. “Don’t berate, don’t pound us. If it’s something interesting, we’ll get back to you.”
  • Don’t feel bad if you don’t hear back.

LaGreca can be reached by email at angela.lagreca@nbcuni.com

“THE WENDY WILIAMS SHOW”

“You need to know the show,” said Popp. “Wendy Williams is very outspoken, and she says it like she means it.”

The show is very celebrity-based. Everything Williams does revolves around celebrities somehow, said Popp. While the show does do some human-interest stories, most of the program is celebrity-based. They don’t do a lot of medical segments.

If you’re pitching a product, think about any possible celebrity connection. For example, Lindsay Lohan was on the show, and the company that made her earrings did an audience giveaway. That’s the type of tie-in producers are looking for.

“The Wendy Williams Show” is a live show, so be aware of what’s going on. “Timing is everything,” said Popp. “If there’s a snowstorm in New York, or the airports are in chaos, you can bet we had some cancellations.” That might be an opportunity for you to pitch to them if you can get your client to the studio quickly.

The show does do cooking and fashion segments, but, again, think about any celebrity connections.

Another opportunity is themed months, which the show is doing more of. “Keep an eye out for what’s coming up on the show to look for opportunities,” said Popp.

For example, Williams will be going on a bus tour of 18 cities across the country, so if you have clients who are nationwide, check out the list of cities on the website.

Popp can be reached by email at rpopp@wendyshow.com.

“RACHAEL RAY SHOW”

“I agree pretty much with what everyone else said,” Crudup said. “Know the show. It is not a cooking show — it is celebrity-driven. Know what Rachael Ray would respond to.”

The show loves to do field pieces, but they still need to have a unique angle for them to send a crew out.

In terms of lead time, Crudup says a month is good. However, they can turn a segment around in a day “if it’s a big-enough story.”

Having been a publicist at MGM for five years, Crudup knows what PR pros go through. He is open to developing relationships with publicists and tries to return all emails. When emailing, include any links in email.

Crudup can be reached by email at tcrudup@kingworld.com or by phone at (917) 332-3185.

Written by Maria Perez, director of news operations for ProfNet, a service that helps journalists connect with expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/

Bloggers Working With PR, Google+ for Reporting, News of the World vs. WikiLeaks

Following is a roundup of 10 interesting PR- and media-related stories found online last week from Profnet editor  Jason Hahn.

How Bloggers Should Work With PR: Bloggers working with PR professionals basically have three tasks at hand: 1) dealing with PR pitches that make it into your inbox, 2) approaching PR/businesses for reviews and giveaway opportunities, and 3) doing your own PR to get publicity for your blog in the media. This blogger discusses each of these tasks and shares some bottom-line reminders: you must have news, you can invent news and you can attach yourself to existing news. (Three Li’l Princesses)

Google+ Used for Reporting Breaking News: If you’ve been wondering if Google+ matters for reporting breaking news, look no further than this anecdote from The Trentonian, a newspaper based in New Jersey. While covering an apartment shooting, the paper posted a link to the story on Google+. A reader saw the link, responded and said she thought the victim was her cousin. The identity of the victim was eventually confirmed after frequent correspondence with the reader. This serves as a reminder that newspapers should use all available tools, not just some of them. (Mediabistro’s 10,000 Words)

Twenty-One New-Media Innovators: While journalism remains in a “state of chaotic flux,” with pundits continuing the war between old and new media, there are brave innovators who have thrown themselves into the gap and created exciting and interesting tools. “We call them innovators, but really they’re just finding the best ways to pursue their interests, while the rest of us get to benefit from their dedication — whether it’s news updates at the speed of light, precision-guided viral stories, or a return to ‘slow’ reading.” Here’s a list of 21 of these new-media innovators, which includes the likes of Andy Carvin of NPR, Ky Harlin of Buzzfeed and Heather Murphy of Slate. (NYMag.com)

What’s the Difference Between News of the World and WikiLeaks?: The phone-hacking scandal that took down News of the World is basically mirrors last year’s fallout over the sensitive information released by WikiLeaks. There are many similarities between the two incidents and the bottom line is that both are terrible examples of journalistic malpractice. “So why is one a scandal, replete with arrests, resignations and parliamentary inquests, while the other is merely a controversy, with Mr. Assange’s name mooted in some quarters for a Nobel Peace Prize?” (WSJ.com)

Social PR: What’s in, out and Trending: Here’s a look at “social PR fashion trends for fall.” Gone are the days of Facebook blue — here are the days of Google+ and its array of colors.  Niche Twitter chats are in, fighting over who owns social media is out and Triberr is trending. This post covers what else is in, out and trending. “The social PR fashion forecast: Add bright accessories to your look, (think Google+). Be smart and keep the balance. Too many social media colors in one look is proactive, playful, and interesting, but can become brand delusional.” (Search Engine Watch)

Three Things to Do With a PR or Communications Degree: Just because you graduated with a PR or communications degree doesn’t mean you have to land a job at a PR firm. Working for an agency, working for a private company, or starting your own firm or freelancing are among the many options to choose from. This post also offers some tips for how to find your first PR job, including titles to search for, where to look and Twitter tactics to employ. (Lindsay Olson)

Nine AP Style Rules PR Pros Should Know: Mastering the art of writing, and AP style specifically, is crucial for PR interns. “We want to write in their language, and make it easy for them to use our words and content.” This post offers a rundown of nine commonly used AP style rules that PR interns (and everyone else in the industry) should know: 1) numbers, 2) time, 3) percentages, 4) ages, 5) dates, 6) dollar amounts, 7) street addresses, 8) job titles and 9) states. (Weber Shandwick Seattle)

Decline of News Outlets: Bad News for PR: Media critics who bash the growing ranks of PR professionals are missing the bigger point: “The reason why PR pros numbers are growing is because the number of journalists is decreasing.” While there have always been more PR pros than journalists, this gap has been made even more obvious because newspapers are struggling. Having fewer news outlets makes it more difficult for PR pros to get clients placement. A consequence of this trend is that PR pros are now being forced to create and publish content, which blurs the line between a news release and the actual news. Placing a client in a publication operated by the PR pro doesn’t quite have the same authority as placement by a third party. (PRBreakfastClub)

Top 10 Ways to Succeed in PR: This PR and social media professional discusses 10 ways to succeed in PR. Among them are speaking up during internal team brainstorms, being a news hound, speaking up if you’re unhappy with something, always asking to try new things and not getting comfortable at your job. (PR at Sunrise)

How to Be a Quiet Leader in the Newsroom: Introverts, fear not — you have much to offer as quiet leaders in the newsroom. This self-professed “quiet leader” talks about what he thinks introverts in the newsroom can offer, including being a good listener and observer, using credibility as a platform to speak from, and finding ways to genuinely show your enthusiasm. (Poynter)

Public Relations Plays a Vital Role in the News Cycle

Popular New York Times columnist David Pogue is well known for actively engaging with his cohorts in public relations, maintaining an active dialogue with PR pros, and speaking at industry events, sharing his perspective on creating effective pitches and working effectively with journalists.   However, his session titled “Pitch Me, Baby” at Ragan Communications’ Media Relations Summit, a paid event, didn’t sit well with the Times’ staff, and they moved to prohibit Pogue participating in that session, or similar events in the future.

Public editor Arthur S. Brisbane discussed the decision earlier this month, noting: “…Such appearances are explicitly prohibited by The Time’s ethics policy. Excerpts of the relevant portions: Staff members may not advise individuals or organizations how to deal successfully with the news media (though they may of course explain the paper’s normal workings and steer outsiders to the appropriate Times person)….They should not take part in public relations workshops that charge admission or imply privileged access to Times people….”  Pogue agreed not appear at anymore PR events.

However, some of the characterizations and allusions in Brisbane’s editorial left a bad taste in many PR professional’s mouths. Pogue’s public admission of his reliance on publicists caused some discomfort in the Grey Lady’s upper echelons.

“Times readers deserve to be assured that journalists don’t get too cozy with the P.R. professionals who strive to influence coverage,” wrote Brisbane. “A virtual army of publicists, media specialists and others stands ready every day to infiltrate the news with stories that help their employers.”

Not surprisingly, Brisbane’s comments elicited enough feedback from the public relations quarter that he was compelled earlier this week to muse whether or not PR is a bane or boon to journalists, and put several questions forth, asking readers how they felt about the Times’ reliance on PR for stories, and querying the PR community about the benefits public relations delivers to Times staff.

PR Newswire sits squarely between professional media and public relations practitioners, and media relations has always been important to us.  Our editors help clients polish their press releases, catching mistakes, authenticating sources, adding attribution when needed and refusing copy that doesn’t meet standards.  Our audience development and research teams work with news outlets, web portals, journalists, bloggers and freelancers worldwide to ensure they can find and access the content they need, in the manner most convenient for them. Along the way, we get a lot of feedback about public relations and press releases.   So I put one of Brisbane’s questions — What are the benefits that publicists and P.R. professionals can provide to The Times? Are there any problems? – to my colleagues here at PR Newswire.

Former television journalists and long-time media relations manager Brett Simon agreed with Pogue’s view that a smart PR person can save a journalist valuable time, noting a savvy publicist can help a reporter find the right people to talk to in an organization as they’re fleshing out a story.

“Publicists can lay a vital role in securing the right person for journalists’ stories and they can do so with expediency.  PR folks at corporations and other organizations are keenly aware of who does what, their nature of expertise, access to their contact information and can quickly make the person available,” she told me. The benefit to the journalist is clear, as well, she noted, “This saves the reporter valuable time by not having to call around to find the appropriate person.   PR people do all the leg work and the journalist can get the credit.”

Victoria Harres, PR Newswire’s director of audience development, noted the role public relations plays in surfacing stories, and reminded us that non-profits and NGOs also make use of PR.

“Public relations people play an important role in bringing things to the attention of journalists. There are not enough journalists in the world to make sure that every story worth telling is told,” she said. “A good PR person will understand individual journalists’ beats and provide relevant information that help journalists do their jobs without spending significant amounts of time finding out when events are happening, when products are launching, or if there is a coordinated effort to send money and aid to some part of the world where tragedy has struck. Let’s not forget non-profits also use PR professionals to make sure their stories are told.”

Christine Cube, another former journalist and another of our media relations managers, commented on the legwork public relations pros do for journalists.

“PR adds a great deal to the news cycle. Without it, there are a lot of gray areas. And whether journalists want to admit it or not, PR helps clear up that gray. It provides background info, story ideas, and produces the principles who can speak to a specific subject or matter,” she said.

Maria Perez, director of news operations for ProfNet, discussed the role public relations plays in facilitating communications between a journalist and an organization, and their role in finding and connecting journalists on deadline with relevant experts.

“Not all subject matter experts are experts at dealing with the media,” she noted. “PR professionals are. Working through a PR professional can help facilitate the process and improve communication. Furthermore, because PR professionals often represent several clients, working with them can help journalists choose from a larger pool of experts, ensuring that a variety of voices are heard. Finally, PR professionals often know what’s going on in their client’s industry, and can add facets to the story that would otherwise be overlooked.”

Tom Hynes, manager of blogger relations for PR Newswire (and yes, another former journalist on our staff) commented upon the negative perception many have for public relations, and the fact that minds change quickly when a fast-breaking story or crisis situation unfolds.

“I feel like there’s probably a lot of unjust scorn or derision aimed at PR professionals,” he said. “For this discussion, I’ll liken that to the chiropractic practice. You may think it’s a quack science — until you throw your back out. You may think PR professionals are unnecessary — until you have a crisis situation that needs deft and professional communicating.”

Harres and Perez both offered comment on the responsibilities of the professional journalists in this discussion.

“One sentence in Brisbane’s post that stood out for me is that he asks about “how the PR industry influences The Times,” Perez noted. “I would like to think the PR industry does *not* influence journalists, but provides journalists with the information necessary regarding their client. If a journalist can be “influenced” by a PR person, that’s a problem.”

Harres also noted the roles played by both sides, and the responsibility of the professional journalist in the development of a story.

“A good PR professional tells a story from a particular perspective. A good journalist will look at all sides and angles of a story and tell it in an unbiased fashion,” Harres commented. “The public relations perspective should be considered in this process. It is a very valid element in putting together a clear picture.”

Simon summed it up well. “PR folks are a journalist’s friend. Yes, they may sometimes annoy reporters with useless pitches but when a New York Times reporter needs them for a story, you can bet that publicist is going to go beyond the call of duty to help that journalist out.  In today’s deadline driven news cycle, with journalists providing content across multiple platforms, a PR person can be a tremendous source of people/experts and information.”

Author Sarah Skerik is PR Newswire’s vice president of social media.

An Inside Look at Business & Finance Magazines

Writers don’t need an MBA to write about finance and business, but they do need the right approach.

At the recent American Society of Journalists and Authors (ASJA) annual conference in New York, editors from three major financial news outlets shared insight into what they cover, what they’re looking for, and how to get – and keep – their attention.

The session, “Breaking in: Business & Finance Markets,” featured Ellen Cannon, editorial director of the financial services websites of QuinStreet, including MoneyRates.com, CardRatings.com, Insure.com and HSH.com; Laura Lorber, executive online editor of Entrepreneur.com; and Brendan Sheehan, editorial director, National Association of Corporate Directors (NACD).

While the panel was directed at freelance writers, it also provides good insight for PR professionals interested in business and finance markets.

Following are highlights:

Ellen Cannon, QuinStreet

QuinStreet, Inc., owns websites covering financial services, education, medical, home services, B2B and other topics, and is a publicity traded company (Nasdaq: QNST).

Cannon oversees the financial services sites, including CardRatings.com, MoneyRates.com, HSH.com, Insure.com, Insurance.com and CarInsurance.com.

For 12 years, QuinStreet had primarily been keyword-driven, but has changed to reported articles to compete with top journalism providers on the Web, said Cannon. It has also partnered with top sites such as MSN.com and Huffington Post, offering even more opportunities for freelancers.

Cannon said her challenge has been to find journalists to write interesting, informative, entertaining stories. “It’s easy to write savings stories,” she said, “but we’re looking or much more actionable, nitty-gritty stories, so it’s really important to understand the topic.”

Cannon suggested some good places to learn about financial information, including the Reynolds Center for Business Journalism,  which helps writers find personal finance angles in any beat, and Poynter Institute, which offers online courses, especially for multimedia journalism.

The latter is especially helpful to Cannon, who said she uses a lot of slideshows. “We’re always looking for stories like that,” she said.

Not all QuinStreet sites have managing editors, so writers can send pitches to her and she’ll find a place for it.

Laura Lorber, Entrepreneur.com

Entrepreneur readers consist of four primary groups:

  • Small-business owners who have been in business for several years. These readers are seeking innovative strategies to grow their business but are also interested in new business ideas and opportunities, as well as current issues that affect their companies.
  • People who are either dreaming of starting their own business or have a business that’s less than 2 years old. These individuals don’t necessarily have a lot of money, so they’re looking for shoestring startup ideas and low-cost ways to start and run their businesses. They need how-to advice, articles that keep them on top of business trends and motivational articles to get (and stay) psyched up.
  • Home-based business owners. These readers need information unique to the home-based entrepreneur. Like the entrepreneurs described above, they’re seeking information that will help them run their businesses better.
  • People interested in purchasing a franchise or business opportunity. They want accurate, reliable, unbiased information from a source they can trust. They want to learn what they need to know before plunking down any cash – as well as where to find the cash to plunk down.

Before pitching a story to Entrepreneur, be sure to read a variety of the articles on the site so you can tailor your pitches to meet content needs. Lorber said she rejects many of the queries she receives because the subject matter in no way matches what she’s looking for.

She added that Entrepreneur doesn’t typically write profiles of specific business owners unless their story warrants it, so there needs to be a compelling reason to write about an entrepreneur. For example, it can’t just be that he/she is achieving record-breaking sales. Readers want to know why they’re achieving record-breaking sales.

“Everything has to have a takeaway,” she added. “It has to be something [readers] can put to work immediately in their business.”

Hot topics of interest:

  • Technology: how tech can help small-business owners/entrepreneurs run their business better.
  • Franchising: “It’s a peculiar niche,” said Lorber, “but one we want to cover more.”
  • Money: finding financing, cash flow, getting paid on time.
  • Finding customers.

Lorber also detailed some of what she looks for in pitches:

  • Does she know the writer? “It’s really important to me to know and trust the writer,” she said. “My advice: Do a lot of networking and try to get to know editors in person. And don’t be afraid to drop names of people who can vouch for you.”
  • Have an online clip file. It can be on WordPress, Twitter. “It doesn’t have to be fancy,” said Lorber.
  • Be to the point. “If you don’t get me in the pitch, the article won’t work for me,” she said.

All queries for online articles should be sent only via email to pitches@entrepreneur.com. All magazine queries should be emailed to queries@entrepreneur.com. Allow a minimum of six weeks for a response; no phone calls.

Brendan Sheehan, NACD

NACD recently named Sheehan to the new role of editorial director. The former executive editor at Corporate Secretary magazine will oversee production and editorial content for NACD’s bimonthly magazine, NACD Directorship, and the NACD news website, Directorship.com.

Sheehan said the magazine’s audience consists of CEOs, corporate directors and chairmen, and covers what goes into running and overseeing a corporation. Because it’s such a specific niche, his biggest challenge is finding writers who really understand that audience.

Sheehan offered the following tips for pitching:

  • Include why the story is important. “The ‘So what?’ factor is missing in so many pitches I get,” said Sheehan.
  • Look at the website. “Don’t pitch what’s already on there,” he said. “Instead, give an alternate idea or slant on the topic.”
  • Don’t be afraid of taking a risk and being a little “out there.” Example: With businesses becoming more global, how do they protect their CEOs when traveling abroad? “It doesn’t have to be a straight business story,” he added.
  • Don’t send three-page pitch letters. He gets 25-30 pitch letters per week.
  • Don’t write the story in your pitch; give him bullet points.
  • Show him you’ve researched what you’re writing about.
  • Don’t say you have great attention to detail and meet deadlines. “You shouldn’t be in this business if you don’t.”

Q&A

Q: What kind of background do you want to see from freelancers when pitching?

Lorber: “Mine is very much a generalist publication, so it helps to know what you’re writing about. But you don’t necessarily need to have worked at Bloomberg to pitch me.”

Cannon: “Good writers, good reporters that are accurate, creative and can write stories in a way that will interest the audience. I judge it by the creativity of the writing and the accuracy. (We don’t have the staff to be meticulously fact-checking.) It helps to be creative with a topic we read about over and over.”

Sheehan: “It does help if you can say you’ve written for The Economist, but you can say you’ve written for Home and Garden. It shows me you can write, you can take editorial direction. Also, passion is important. Pitch to magazines you like to read, because that’s what you like reading.”

Q: What are your freelance rates?

Sheehan: “Rates vary from 85 cents to $1 a word, depending on the length of the article and other factors. Also, we’re moving to a model of per-story fee. I find per-word fee doesn’t really work for online.”

Cannon: “We range from 10 cents a word to 50 cents a word. I know those are low rates, but we can make up for it in volume.”

Lorber: “We pay on a per-story basis: $400 for articles of 600-700 words; $50-$200 for blog posts.”

Q: Does Directorship.com do tech stories?

Sheehan: “Technology is very important to our audience, especially from a risk management perspective — how it impacts a company’s finances, whether the company can be sued, etc. We don’t do much on social media (no Twitter, etc.).”

Q: How do you feel about pitches with multiple ideas?

Lorber: “I generally prefer one idea per email, but it doesn’t bother me if I get more.”

Cannon: “Since I’m in the volume business, I’m interested in multiple pitches at the same time.”

Sheehan: “I prefer one, and I also like to have a time frame on how long it would take you [to get the article done] and who you would interview – not necessarily names, but types of people.”

Q: Are there any other resources you can recommend?

Cannon: “Besides the Reynolds Center and Poynter, I also recommend the Society of American Business Editors and Writers (SABEW) courses.”

Lorber: “It’s really important to read the Wall Street Journal every day, and the front page and business section of the New York Times. Two other sites, especially for technology stories, are Mashable and TechCrunch, because they do cover articles about tech angles for small businesses. Also, use Twitter to keep your finger on the pulse of what’s going on online. We like our writers to socialize their stories, so if you’re not on Twitter, get on Twitter.”

Sheehan: “Go to the SEC website once a week. Search for Richard Ferlauto – he runs a division that relates directly to directors. Also, look into going to trade conferences – they usually let journalists go for free.”

Q: How do you feel about freelancers writing for competing websites?

Sheehan: “I don’t mind it, and don’t really have a choice, given how few writers know our market. But just let me know when you pitch.”

Cannon: “I don’t have a problem as long as they’re not pitching me the same stories.”

Lorber: “I don’t have a problem with it unless the writer is easily identifiable as writing for that site.”

Q: Is Entrepreneur.com open to column pitches?

Lorber: “Yes, we are. We’re always looking at our column roster. People come and go. Send a pitch fleshing out what it would be about, as well as an introductory column and 2-3 ideas for the column.”

Q: How would you like to be pitched?

All three panelists agreed they prefer email pitches:

Lorber: llorber@entrepreneur.com

Sheehan: bsheehan@nacdonline.org

Cannon: ecannon@quinstreet.com

Ellen Cannon, QuinStreet

QuinStreet, Inc., owns websites covering financial services, education, medical, home services, B2B and other topics, and is a publicity traded company (Nasdaq: QNST).

Cannon oversees the financial services sites, including CardRatings.com, MoneyRates.com, HSH.com, Insure.com, Insurance.com and CarInsurance.com.

For 12 years, QuinStreet had primarily been keyword-driven, but has changed to reported articles to compete with top journalism providers on the Web, said Cannon. It has also partnered with top sites such as MSN.com and Huffington Post, offering even more opportunities for freelancers.

Cannon said her challenge has been to find journalists to write interesting, informative, entertaining stories. “It’s easy to write savings stories,” she said, “but we’re looking or much more actionable, nitty-gritty stories, so it’s really important to understand the topic.”

Cannon suggested some good places to learn about financial information, including the Reynolds Center for Business Journalism,  which helps writers find personal finance angles in any beat, and Poynter Institute, which offers online courses, especially for multimedia journalism.

The latter is especially helpful to Cannon, who said she uses a lot of slideshows. “We’re always looking for stories like that,” she said.

Not all QuinStreet sites have managing editors, so writers can send pitches to her and she’ll find a place for it.

Laura Lorber, Entrepreneur.com

Entrepreneur readers consist of four primary groups:

  • Small-business owners who have been in business for several years. These readers are seeking innovative strategies to grow their business but are also interested in new business ideas and opportunities, as well as current issues that affect their companies.
  • People who are either dreaming of starting their own business or have a business that’s less than 2 years old. These individuals don’t necessarily have a lot of money, so they’re looking for shoestring startup ideas and low-cost ways to start and run their businesses. They need how-to advice, articles that keep them on top of business trends and motivational articles to get (and stay) psyched up.
  • Home-based business owners. These readers need information unique to the home-based entrepreneur. Like the entrepreneurs described above, they’re seeking information that will help them run their businesses better.
  • People interested in purchasing a franchise or business opportunity. They want accurate, reliable, unbiased information from a source they can trust. They want to learn what they need to know before plunking down any cash – as well as where to find the cash to plunk down.

Before pitching a story to Entrepreneur, be sure to read a variety of the articles on the site so you can tailor your pitches to meet content needs. Lorber said she rejects many of the queries she receives because the subject matter in no way matches what she’s looking for.

She added that Entrepreneur doesn’t typically write profiles of specific business owners unless their story warrants it, so there needs to be a compelling reason to write about an entrepreneur. For example, it can’t just be that he/she is achieving record-breaking sales. Readers want to know why they’re achieving record-breaking sales.

“Everything has to have a takeaway,” she added. “It has to be something [readers] can put to work immediately in their business.”

Hot topics of interest:

  • Technology: how tech can help small-business owners/entrepreneurs run their business better.
  • Franchising: “It’s a peculiar niche,” said Lorber, “but one we want to cover more.”
  • Money: finding financing, cash flow, getting paid on time.
  • Finding customers.

Lorber also detailed some of what she looks for in pitches:

  • Does she know the writer? “It’s really important to me to know and trust the writer,” she said. “My advice: Do a lot of networking and try to get to know editors in person. And don’t be afraid to drop names of people who can vouch for you.”
  • Have an online clip file. It can be on WordPress, Twitter. “It doesn’t have to be fancy,” said Lorber.
  • Be to the point. “If you don’t get me in the pitch, the article won’t work for me,” she said.

All queries for online articles should be sent only via email to pitches@entrepreneur.com. All magazine queries should be emailed to queries@entrepreneur.com. Allow a minimum of six weeks for a response; no phone calls.

Brendan Sheehan, NACD

NACD recently named Sheehan to the new role of editorial director. The former executive editor at Corporate Secretary magazine will oversee production and editorial content for NACD’s bimonthly magazine, NACD Directorship, and the NACD news website, Directorship.com.

Sheehan said the magazine’s audience consists of CEOs, corporate directors and chairmen, and covers what goes into running and overseeing a corporation. Because it’s such a specific niche, his biggest challenge is finding writers who really understand that audience.

Sheehan offered the following tips for pitching:

  • Include why the story is important. “The ‘So what?’ factor is missing in so many pitches I get,” said Sheehan.
  • Look at the website. “Don’t pitch what’s already on there,” he said. “Instead, give an alternate idea or slant on the topic.”
  • Don’t be afraid of taking a risk and being a little “out there.” Example: With businesses becoming more global, how do they protect their CEOs when traveling abroad? “It doesn’t have to be a straight business story,” he added.
  • Don’t send three-page pitch letters. He gets 25-30 pitch letters per week.
  • Don’t write the story in your pitch; give him bullet points.
  • Show him you’ve researched what you’re writing about.
  • Don’t say you have great attention to detail and meet deadlines. “You shouldn’t be in this business if you don’t.”

Q&A

Q: What kind of background do you want to see from freelancers when pitching?

Lorber: “Mine is very much a generalist publication, so it helps to know what you’re writing about. But you don’t necessarily need to have worked at Bloomberg to pitch me.”

Cannon: “Good writers, good reporters that are accurate, creative and can write stories in a way that will interest the audience. I judge it by the creativity of the writing and the accuracy. (We don’t have the staff to be meticulously fact-checking.) It helps to be creative with a topic we read about over and over.”

Sheehan: “It does help if you can say you’ve written for The Economist, but you can say you’ve written for Home and Garden. It shows me you can write, you can take editorial direction. Also, passion is important. Pitch to magazines you like to read, because that’s what you like reading.”

Q: What are your freelance rates?

Sheehan: “Rates vary from 85 cents to $1 a word, depending on the length of the article and other factors. Also, we’re moving to a model of per-story fee. I find per-word fee doesn’t really work for online.”

Cannon: “We range from 10 cents a word to 50 cents a word. I know those are low rates, but we can make up for it in volume.”

Lorber: “We pay on a per-story basis: $400 for articles of 600-700 words; $50-$200 for blog posts.”

Q: Does Directorship.com do tech stories?

Sheehan: “Technology is very important to our audience, especially from a risk management perspective — how it impacts a company’s finances, whether the company can be sued, etc. We don’t do much on social media (no Twitter, etc.).”

Q: How do you feel about pitches with multiple ideas?

Lorber: “I generally prefer one idea per email, but it doesn’t bother me if I get more.”

Cannon: “Since I’m in the volume business, I’m interested in multiple pitches at the same time.”

Sheehan: “I prefer one, and I also like to have a time frame on how long it would take you [to get the article done] and who you would interview – not necessarily names, but types of people.”

Q: Are there any other resources you can recommend?

Cannon: “Besides the Reynolds Center and Poynter, I also recommend the Society of American Business Editors and Writers (SABEW) courses.”

Lorber: “It’s really important to read the Wall Street Journal every day, and the front page and business section of the New York Times. Two other sites, especially for technology stories, are Mashable and TechCrunch, because they do cover articles about tech angles for small businesses. Also, use Twitter to keep your finger on the pulse of what’s going on online. We like our writers to socialize their stories, so if you’re not on Twitter, get on Twitter.”

Sheehan: “Go to the SEC website once a week. Search for Richard Ferlauto – he runs a division that relates directly to directors. Also, look into going to trade conferences – they usually let journalists go for free.”

Q: How do you feel about freelancers writing for competing websites?

Sheehan: “I don’t mind it, and don’t really have a choice, given how few writers know our market. But just let me know when you pitch.”

Cannon: “I don’t have a problem as long as they’re not pitching me the same stories.”

Lorber: “I don’t have a problem with it unless the writer is easily identifiable as writing for that site.”

Q: Is Entrepreneur.com open to column pitches?

Lorber: “Yes, we are. We’re always looking at our column roster. People come and go. Send a pitch fleshing out what it would be about, as well as an introductory column and 2-3 ideas for the column.”

Q: How would you like to be pitched?

All three panelists agreed they prefer email pitches:

Lorber: llorber@entrepreneur.com

Sheehan: bsheehan@nacdonline.org

Cannon: ecannon@quinstreet.com

Written by Maria Perez, director of news operations for ProfNet, a service that helps journalists find expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/

Do you know where your content is?

A weird moment at a media relations workshop I attended yesterday left me feeling as though I had spun backward in time, to the late 90’s or thereabout, before Twitter was a gleam in anyone’s eye, to a time when newspapers still reigned supreme in the information universe.

Three prominent Chicago journalists admitted they didn’t use Twitter – not for research, nor for communication.

Several Chicago PR stalwarts noted their clients only cared about print and broadcast – none of “that internet stuff.”

I sat openmouthed in the back row upon hearing these comments, given in response to a question I asked about the extent to which journalists in the represented newsrooms used social networks to build audience for stories.  (I was told that most do, but these three big leaguers didn’t.)

The conversation devolved into the same one you hear at any meet-up of PR people and journalists.  The journos bemoaned long, irrelevant, attachment-riddled e-mail pitches with stupid subject lines squealing “Check this out!”   The PR pros said a little common courtesy, such as noting whether or not a pitch was received, would be nice.

I snapped my jaw shut and adopted a neutral demeanor when I saw that one of the panelists had noticed my bewildered expression.  But inside, I was really disappointed in the media pros and in the PR reps both, for ignoring  a medium that has become the preferred news source of many, and has fueled some of the biggest stories of the year, from the rise of the Arab Spring to the downfall of indiscreet politicians.

After the panel, one of the journalists sought me out, to double check a web site I had mentioned during the Q&A.  We chatted for a minute and I mentioned my surprise that he wasn’t using Twitter, which I went on to characterize as the most awesome personal newswire a person could imagine.   The journo said he had tried it but didn’t see the value.

I asked him if he had ever set up lists in Twitter, or seen Flipboard and Paper.li. When the answer was no, I told him the story of how I changed my husband’s life forever, by setting him up on Twitter,  creating a list of NFL draft prognosticators, and hooking that into Flipboard, producing a personalized, glossy, user-friendly and up to the minute news magazine focused on the recent draft.  When I handed my husband his iPad, his eyes grew wider and wider.  He sank onto the couch, flipping through the articles and blog posts.  He was thrilled by my 5-minute creation, and proceeded to gorge himself on the latest draft intelligence and speculation.

It’s important to understand how your audience is consuming information, especially if you aren’t familiar with or don’t prefer some of the content aggregation services out there.   Pulling out my iPad, I told the journalist “You need to see this,” and sat him down for a quick tour.

First, I showed him my Twitter feed, which really isn’t pretty, and described how I built lists of people who focused on particular subjects.

A screenshot from Hootsuite, showing a couple of my Twitter lists, including "SocialPRpeeps" - a list of social-media savvy PR pros.

Then, I showed him what that Twitter list looked like in Flipboard, showing him how links are rendered into article summaries, and presented in a glossy magazine format. I handed him my iPad.  Wide eyed, he flipped from page to page, looking at the articles my SocialPRpeeps list members had tweeted.

My SocialPRpeeps Twitter list, as viewed through Flipboard on an iPad. Flipboard renders the links people tweet, and presents the content in a reader-friendly format.

The ah-ha moment came when I showed him how elegantly Flipboard served up access to the articles on their native web sites.

The abstract of an article on Flipboard. Clicking on the arrow at the bottom of the page takes you directly to that piece.

Viewing the original version of the article in Flipboard.

We were both kind of stunned – him by the presentation of content he held in his hands, and me by the fact that a big time media guy didn’t know about Twitter lists, Flipboard, and the myriad other interesting ways people are accessing news content these days.

Moments like these make me fear for the future of journalism.  Readers crave content.  It’s easier and more convenient than ever to stay abreast of the news.  The question, of course, is how to sustain the business of news in this new and fast evolving environment.

Until that big question is answered, my own opinion is that communications pros have some key imperatives, including:

  • Driving ourselves to understand all the different ways people are collecting, reading and sharing news and information.
  • Educating our clients and the C-suite about the value of online visibility and the social layer
  • Help your peers become conversant and confident in social networks.  Gently lead colleagues who don’t use social media into this new communications fray, like I did with the aforementioned journalist.  Share your knowledge freely, because our colleagues need to know this stuff.  It will help them drive more readers to news articles and more results for clients – and this rising tide will help lift everyone’s boat.

I’m glad that journalist sought me out – I hope he takes what he saw back to the newsroom, where more media pros can ponder the new information landscape, and maybe dream up that new model journalism so desperately needs.  Anyone with a vested interest in communicating with audiences really does need to stay on top of how content is consumed.

Related reading:

Using Twitter for Media Relations

Social media press release distribution

Author Sarah Skerik is PR Newswire’s vice president of social media.  Follow her on Twitter: @sarahskerik

Read the article pictured in the blog post (it’s a good one!) here: http://prbreakfastclub.com/2011/06/10/whispergate/