Tag Archives: pitching

4 Keys to the Successful Digital PR Pitch

The key to garnering digital exposure for your messages? Easy. Don’t handicap your messages by ignoring all the different ways your intended targets might use the content you publish. Make it easy and intuitive for people to share your messages with their networks.

I’m active on LinkedIn, and it’s not unusual for me to hear from a recruiter every now and then.  Last week, one sent me a note about an interesting sounding job.  While I had zero interest in the gig, I know others in my social networks might be interested.  So, instead of ignoring this message, I responded to the recruiter, asking if she had any publicly-available information so I could share it with my network.

She sent me an attachment. 

This reminded me of an exchange we had once with a heavy hitter editor from one of our sister company’s leading technology magazines.  When asked what his PR pet peeve was, he had a ready answer.   Email pitches that didn’t include a URL that he could tweet, link to and share.

Consider how your audience will use the content you share. 

In both cases, the people contacting the targets (the recruiter contacting me, and a PR person contacting the editor) either don’t understand or aren’t considering what behaviors their communications inspire.    The recruiter assumed that when I said “share with my network” that I was talking about e-mail.  The PR person is assuming that the outcome is going to be traditional media pick up in the form of a print story.

By letting these assumptions drive their communications strategies, both miss out on significant opportunities for exposure.   For public relations especially, the lessons are important:

  • When you’re targeting media and influencers, take the time to research and understand how their beats and responsibilities have changed.   Most journalists who write for a print publication are also creating digital content and sharing content in social networks.  Even if your story doesn’t make the print publication, exposure on the outlet’s digital channels can be immensely valuable (and may reach an even larger audience!)
  • Tailor your pitches accordingly.  The e-mail pitch that includes the press release pasted into the body of the email (and then attached for good measure!) is dead.

Here are four keys to ensuring your PR pitch isn’t out of step with the realities of today’s news rooms, social networks and the blogosphere:

  1. Provide links to digital assets (images, videos, infographics) in your pitch.
  2. Include links  to the story and other information the journalist can reference and share.
  3. Structure your pitches and press releases with tweeting in mind.  The headline needs to be a perfect tweet.  Highlight key themes with paragraph subheads (in bold so they’re easy to see) that are also perfect tweets.   Call out key facts in a bulleted list.
  4. Ensure the URLs you provide render well when shared on Facebook, Pinterest, Google+ and LinkedIn, rather than displaying HTML gobbledygook to users of those networks.

In other words, make it dead easy for journalists, bloggers and other influencers  to share your story with their respective social networks.  Decisions to share and tweet content are made in fleeting seconds.  Don’t handicap your messages by ignoring all the different ways your intended targets might use the content you publish.

In the case of the recruiter, I actually took the time to send her a note explaining the problem with the attachment, and noting that if her firm wanted to recruit social media candidates, they needed to run a social-friendly recruitment campaign.   She replied, saying that she agreed, but that her boss did things “the old way.”  In this interaction is one more lesson for us all – it’s up to all communicators to ensure their organizations are in step with their audiences.  The up side of doing so is clear – your communications are more likely to be successful.  The down side is equally clear – your communications are more likely to be irrelevant.

Author Sarah Skerik is PR Newswire’s vice president of social media.

 

 

 

Image courtesy of Flickr member Donna Sullivan Thomson.

‘Dear Blogger’ & Other Pitch Mistakes PR Pros Make

“My time is worth something,” said fashion and celebrity blogger Cynthia Smoot, aka @OhSoCynthia, at last week’s Social Media Club of Dallas monthly meeting.

A PR person in the audience had asked the panel if bloggers always expect to get something for free. Every head in the room turned in unison to see who was at the microphone. I think I also heard a gasp from somewhere.

Cynthia took it in stride, lifting her chin with her Oh-So-Cynthia grace and crossing her legs to show the fabulous pair of boots she was recently given for covering a fashion event.

Dallas bloggers: @OhSoCynthia @TexasHolly @FoodBitch @LivingLocurto @Pelpina

Holly Homer, @TexasHolly contributed that they are bloggers, not journalists with a salary and expenses being paid for by a media company. They blog because they are passionate about what they write about and sometimes have a day-job. To cover an event or try a product they have to give of their personal time.

Food critic @FoodBitch works at an advertising agency by day and writes about food by night. She said some PR people have even expected her to pay for entry into their event, even though they invited her to come and cover it for her popular Dallas food blog.

I cringed. We in PR still don’t quite fully comprehend those writers who call themselves bloggers. And yet, our industry is constantly seeking to ‘work with bloggers,’ i.e. get them to promote our stuff to their audiences.

So let’s cover a few basics about working with bloggers that we’ve all heard before, but apparently we need to hear again.

First, a pet peeve, “Dear blogger,” is tops on FoodBitch’s list, as is “Dear _____.” Or how about “Dear Mommy Blogger,” suggested Amy, @LivingLocurto. All the bloggers nodded in agreement. This certainly aligns with the daddy blogger sentiment I wrote about two years ago in a post appropriately titled Don’t Call Us Daddy Bloggers.

Pelpina Tripp, @Pelpina asked that PR pros do their research. Don’t send her pitches if you’ve never seen her work and don’t know what interests her audience. She gets a lot of email. She doesn’t have time for pitches that are not appropriately targeted. Holly added, “If you don’t bother to check out my blog why should I care about your pitch?”

And while we’re on the research subject, Amy begs that if you mention someone in your pitch that you link to somewhere online that explains who they are. “Don’t make me do the research. I don’t want to Google the person you’re talking about.”

Cynthia then mentioned that a huge pet peeve for her are press releases without images to use in her blog or to see the product you’re talking about.

A PR practioner in the audience said, “But a lot of publications don’t accept attachments.”

“Bloggers accept attachments!” responded Cynthia. All the other bloggers agreed emphatically. They need images and only get them in less than 5% of pitches.

A few more suggestions included:

  • Make your pitch interesting for the blogger’s audience you are pitching
  • Write subject lines that capture the attention of who you are targeting
  • Make your email subject line clear about why you are contacting them

If you are a blogger or a PR and would like to add to this, please leave a comment below. I would love to hear from you!

Victoria Harres is Director of Audience Development at PR Newswire, the main voice behind @PRNewswire, social media lead for @Business4Better and a frequent speaker and writer on social media for business. 

How to Pitch Lifestyle Editors

Publicity Club of New York (PCNY) hosted a luncheon earlier this month, featuring a panel of five lifestyle editors who discussed how they like to be pitched. Check out comments about it on Twitter via #PCNY.

Peter Himler (@PeterHimler61), president of PCNY, kicked off the dialogue by telling the crowd that these days, “publicists outnumber journalists 3 to 1.” Sharpening your pitching technique is more important than ever if you’re looking to land press coverage.

Each panelist spoke for about 10 minutes, followed by 30 minutes of general Q&A, moderated by Edelman Worldwide’s Lisa Kovitz (@lisakovitz50):

New York Daily News: Life & Style Editor/Producer Lindsay Goldwert

  • Goldwert looks for stories with a “women’s magazine-type feel,” including topics like body positivity and food, as well as “feel good” themes.
  • She notes that article pitches must be as current as possible and relevant to “right now.” She needs subject-matter experts who can talk right away.
  • Stories on celebrities with health problems (and relevant experts) are especially pitch-worthy, e.g., when Paula Deen announced she had diabetes.
  • Pictures are great and the most important part of a pitch!
  • No time for desksides.
  • Contact: @lindsaygoldwert11or lgoldberg@nydailynews.com

WNYW-TV “Good Day New York”: Executive Producer Jason Hartelius

  • Hartelius receives hundreds of emails daily — sometimes even a thousand or more. Be concise, don’t overpitch (i.e., don’t send the same email every day) and don’t use bait-and-switch tactics.
  • Pitches can be as simple as: “Hey, I got this idea — what do you think?” Put relevant information at the top; don’t be longwinded.
  • Subject lines should be catchy. If you write “Attention Jason Hartelius: [Topic]” he will very likely read it.
  • Stories must be local. And no promotional material — the segment should be about the story, not selling. “Know the show!”
  • There is one slot per day for a fun or remote piece. Recent examples include local firemen washing circus elephants and an anchor taking a ride in a monster truck.
  • The show generally has no interest in featuring a guest who has recently appeared or will soon appear on a competitor’s show (no “same day” bookings). The only exception might be if it’s an extremely famous celebrity.
  • Contact: @jasonhartelius12 or desk@foxfiveny.com or GDNYpitches@gmail.com

The Huffington Post: Women’s Editor Margaret Wheeler Johnson

  • HuffPost Women typically features news items and original reporting, essays from “ordinary” women, body image, women’s health and compelling stories.
  • Do not pitch off-topic ideas about dieting and nutrition, parenting and fashion and style. Wheeler Johnson is not interested in any stories that include the words “your man.”
  • If you’re a woman, ask yourself: “Would you want to read this story?”
  • No product pitches.
  • Images are great! Nice images can be turned into a slideshow. This is a great option for book publicists in particular.
  • To know what types of topics to pitch, read the front page! And watch out for cross-posting (e.g., sometimes fashion stories are reposted from HuffPost Style).
  • She looks for fresh perspectives from subject-matter experts.
  • Experts must have links to back up their statements. Quotes from health experts in particular will be checked.
  • Wheeler Johnson doesn’t usually leave the office to cover events, since Huffington Post has a national audience.
  • She doesn’t understand the concept of a deskside; the pitch should be engaging and well-crafted enough that a deskside isn’t necessary. If she’s looking for a fresh quote, she’ll call you on the phone.
  • Typos in article submissions are a big no-no; the editorial department is busy enough already.
  • Contact: @mwjohnso14 or scoop@huffingtonpost.com

WPLJ-FM “The Big Show With Scott & Todd”: Producer Joe Pardavila

  • Radio in general has a large reach for suburbanites, particularly in the New York area, which has lots of commuters (i.e., “bridge and tunnel”).
  • This morning radio show targets women ages 25-54 in the New York area in particular. The crowd includes college-educated women, soccer-mom types and even teeny boppers (since they’re in the car with Mom). This audience might not want to listen to Justin Bieber, but they certainly know who he is.
  • Press releases and pitches don’t need to be longer than one paragraph. If Padavila isn’t interested in the idea, extra paragraphs won’t help.
  • Have fun with a pitch. Pardavila is not interested in anything morose, depressing, technical or “high brow.” Simple stories are best!
  • People say: “I want to wake up and laugh.” Keep that in mind.
  • Contact: @joepardavila or bigshow@plj.com

BuzzFeed Shift: Editor Amy Odell

  • BuzzFeed wants every single article they post to go viral. Most traffic on the site comes from Facebook. Think about what people want to click on.
  • Common topics cover style, beauty, health, fitness, food, grooming, powerful women, career, celebrities, relationships, hipsters. Anything funny!
  • Fashion pitches in particular must be funny or relatable; high-fashion pieces are not appropriate.
  • Odell says press releases are basically never funny, and she hardly ever finds story ideas from them. She might open a press release if the idea sounds really bizarre.
  • What does Odell want from PR pros? Exclusive access to experts or celebrities.
  • She can’t use content if it’s posted on other sites — original material is a must.
  • She prefers to use stories immediately; there’s not much lead time, unless it’s an interview a celebrity that has to be planned in advance, for example.
  • Odell typically doesn’t cover events, but she might send reporters to an interesting event so they can live tweet from it (to draw in new followers). But it most likely will never become an article.
  • No desksides.
  • Contact: @amyodell56 or amy.odell@buzzfeed.com

Written by Grace Lavigne, senior editor of ProfNet, a service that helps journalists connect with expert sources. To read more from Grace, check out her blog on the free social networking site ProfNet Connect.

Dear Gracie: When Clients Want to Distribute Non-News

Each week, Dear Gracie answers questions from ProfNet Connect readers with advice from our network of nearly 50,000 ProfNet experts. Has there been a question burning in your mind lately, something you’ve been wondering that none of your colleagues can answer? Please send it to grace.lavigne@prnewswire.com

Dear Gracie,

Some of my clients repeatedly ask me to pitch announcements that I don’t think qualify as “news.” I know if I do pitch the information, journalists will be annoyed and I could damage my media relationships. How do I explain this to my clients?

Peeved Pitcher

********

Dear Peeved Pitcher,

13 ProfNet experts share their experience:

Why Non-News Is Bad News

“One of your most important roles as a public relations professional is to advise your client,” says John Goodman, president of John Goodman PR. “If a client wants you to pitch a non-news story, you have to tell them ‘no.’”

What complicates this is, too often, PR people try to appease a client and tell them they’ll pitch a story hoping it might work or knowing it won’t work, says Goodman. This damages a PR agent’s reputation with reporters and reflects poorly on the client.

“Determining what is not news is relatively easy; telling the client can be a hitch,” agrees B. Andrew Plant, owner of Plant Communications.

This might partially be due to the fact that it is often easier for PR professionals from outside firms to say “no” to reporters compared to in-house staff, says Susan Tellem, partner at Tellem Grody Public Relations. Outside PR consultants have the luxury of being more objective, since PR staffers might fear losing their jobs if they object to a non-news release.

That’s why it’s extremely important to manage client expectations from the beginning, says Giselle Caamano, senior account executive at Deveney Communication. Regardless of whether or not an announcement is newsworthy, always provide clients with any feedback you receive from media contacts. This helps both parties re-evaluate strategies for next time, and for PR pros specifically, helps manage client expectations.

It’s important to have established trust with your client already, before you need it, says Plant. “That way, you can say to the client ‘Look, this is not a news item and distributing it will not serve you well.’” Use this as a teachable moment to help clients understand what is and is not news, and how releasing non-news might aggravate reporters and hurt future chances, he says.

Journalists are annoyed by non-news releases because it requires them to waste time reading, deciphering and sometimes deleting the inquiries, explains Nancy A. Shenker, founder and CEO of theONswitch.

If we bombard reporters with things that have little merit, they will block our emails in the future, or worse, call us on the carpet, says Tellem. “Then we have the delicate dance of playing both sides against each other,” by telling reporters “the client made me do it.” It is not an acceptable outcome for anyone involved, she says.

“As PR and marketing professionals, we need to be viewed as resources for the media,” says Jason Ouellette, vice president of PAN Communications. “If we’re issuing non-news and expecting people to pick up on it, our news becomes noise within the industry and then we have a bigger hill to climb.”

“The consequences of distributing non-news are alienated and exasperated media reps who may not notice future items from this or other clients,” echoes Plant. “You also may be creating a monster: a client who tells you what is and is not news, and determines what to distribute without your counsel.”

What Qualifies as “News”?

When having the “cold-water talk” with your client, be frank about what is and is not news, says Alison Cohen, senior manager of media relations at Education Development Center (EDC). Tell your clients to ask themselves the following:

  • What makes my issue, project, results or information newsworthy?
  • Is it original or new?
  • Is it especially timely?
  • Is it of interest to a large, diverse audience?
  • Are there two sides to the story?
  • Can I explain it in one or two jargon-free sentences?

Determine if the news story is truly different, and if it sets your client apart from other competitors, agrees Caroline Sherman, vice president of Alpaytac Marketing Communications/Public Relations. See if there is a connection to some timely trend that directly affects the client’s industry, or if there is some kind of benefit for the target audience.

Anything highly self-serving or promotional would be considered non-news, says Sherman. Announcements about product features that have been long been integrated by competitors is considered a “me too” broadcast and therefore non-news too.

For example, information about new products or services, events, strategic partnerships, holiday specials, startup funding or website launches should be weighed critically before being distributed as news, particularly for small businesses, says Bill Corbett, Jr., president of Corbett Public Relations.

“For smaller companies, I’ve found it relatively easy to explain why non-news is not worth a release, since they tend to be more cost conscious,” says Aline Schimmel, principal of Scienta Communications. “Reminding them that a two-page release can cost over $1,000 usually does the trick.”

At some point though, if clients continue to insist, you may have to have a ‘stand your ground’ moment, says Plant.

PR firms have the option of creating policies to ensure that only newsworthy information can be issued, even if a client insists otherwise, says Corbett. With other available avenues for distribution, the information can still be disseminated without ruining any reputations.

If the client insists on distributing the announcement, also consider positioning it as an “FYI” to lessen the risk, suggests Sherman.

“There are plenty of opportunities to promote your client and their news, but in today’s PR world, the challenge is to figure out which medium you want to distribute it through and what the goals of each are,” says Ouellette.

Finding Alternative Forms of Publicity

“As an outside representative, you need to have a good handle on not only what the media tabs as ‘news,’ but also what will be of interest to your client’s prospects, customers and partners,” explains Ouellette.

While agents should never distribute non-news to journalists directly, they could consider sending less-than-newsy information out via a paid wire service, says Henry Stimpson, principal of Stimpson Communications. It assures publication on the Web.

“There are now times when a news release you’d never send to a major news organization is still worthy of posting around the Web, simply to get the attention of anyone searching online for specific words or phrases,” agrees Donn Pearlman, president of Donn Pearlman & Associates and former Chicago journalist. The criteria for quality “news” has changed recently due to search engine optimization.

Also, try getting information into the public eye by using blog posts, video posts, website posts or LinkedIn group posts, says Ouellette.

For example, North Park University’s website offers ways to elevate events or topics to a wider audience when writing a news release is unnecessary, says John Brooks, director of media relations and news at the university. “I’m not looking to make every campus event into a news story,” he says. Instead, the university website has tabs on its homepage like “Coming Up” and “Worth Knowing,” which promote local happenings.

Sharing information via social networks and YouTube can still generate buzz and have an impact, says Corbett.

“I have found that insistent clients really appreciate our linking their ‘news’ to Twitter and Facebook users,” notes Brooks.

Also, consider disseminating information in company newsletters or through member mailing lists, adds Cohen.

“Using our website creatively and using social media for non-news is a much better option than doing nothing at all, especially with insistent clients,” says Brooks.

“Depending on the type of announcement and who it is applicable to, these can be just as, if not more, effective methods,” says Sherman.

Making Lemonade Out of Lemons

PR agents might ultimately need to create and find news for clients, says Shenker. “Many clients focus exclusively on the activity of writing and deploying releases, rather than looking within their businesses for opportunities for innovation.”

Only by launching new products, hiring new talent, winning awards, hosting events and making changes can a company create a stream of truly newsworthy happenings, continues Shenker. “PR without innovation and change is simply a bunch of ‘blah blah blah.’”

“Sometimes non-news becomes news when you wrap it into a larger future story,” says Schimmel. “For example, reporters may not be swayed by a drug company’s formulation or technology achievement, but if a future announcement of clinical data or regulatory successes was to come about as a result of that earlier formation or technology achievement, then it can all be packaged together.”

“You may be able to work with the client to finesse the piece so that it is news, maybe by adding other sources, or pivoting a bit so the information is part of a larger trend or current event,” says Plant.

For example, at North Park University, revised or new academic programs, or campus events, do not qualify as news, “especially when we’re the ones saying how important it is,” explains Brooks.

So for a new or revised academic program, Brooks asks faculty members to connect him to other people, not necessarily from the university, who can testify to the value of or need for the academic program change. And for events, Brooks reaches out to attendees and finds out what they learned from it or what motivated them to attend.

“I’m looking for quality testimony that enhances the story and makes it much more interesting to read than the boring, non-news release I could write!”  he says.

Gracie

Written by Grace Lavigne, senior editor of ProfNet, a service that helps journalists connect with expert sources. Dear Gracie is published weekly on ProfNet Connect, a free social networking site for communicators. To read more from Grace, check out her blog on ProfNet Connect.

An Inside Look at Women’s Magazines

Women’s magazines are some of the most sought-after clips in the industry, but how do you get your foot in the door and score a byline from a top-tier magazine?

At the recent American Society of Journalists and Authors (ASJA) annual conference in New York, editors from Essence and Family Circle magazines shared what they look for in an article pitch, and what to do — and not do — once the pitch is accepted.

The session, “Breaking in: Women’s Markets,” was moderated by Gina Roberts-Grey, a freelance writer who has written scores of articles for women’s print and online magazines. Rounding out the panel were Lynya Floyd, senior editor, Essence; and Celia Shatzman, associate editor, Family Circle.

While the panel was directed at freelance writers, it also provides good insight for PR professionals interested in women’s markets.

Following are highlights:

Q: What are each of your markets currently looking for, and what’s the best way for someone to break in?

Floyd: We’re obviously looking for something that comes through the lens of an African-American woman, specifically women’s health. Start with smaller pieces – the “Fit and Fab” column, a fitness column, nutrition pieces – and work your way up to bigger things. Whatever new spin you can put to those stories is fantastic. Why is this important to African-American women, and how do you spin it so it’s different? You can spin a story three or four different ways. If it doesn’t work for one magazine, you can tweak it and pitch it to another.

Shatzman: We cover a broad variety of features aimed at moms of teens and tweens. Toddler-related news is not of interest. Start out with a one-page column and work your way up from there. The best columns for a new writer are the “Good Works” and “Pets” columns. What sets anyone apart is something really new.

Q: What percentage of articles is contributed by freelance writers?

Floyd: The vast majority (85-90 percent) are freelance pieces. Stories with celebrities or real people are usually done in-house.

Shatzman: At Family Circle, the beauty, fashion and home articles, as well as columns, are done in-house. For the rest, about 75 percent is from freelancers.

Q: Do references impact who you go with?

Shatzman: They go a very long way. I’ll definitely take a few extra minutes to read the pitch.

Floyd: I couldn’t agree more. There’s so little time in the day. If someone puts a reference in the subject line, or in the first few sentences, it helps. And use a subject line that’s headline-worthy, and flesh out the story. Also, persistence does work for me. I will remember your name when I’m assigning stories. “Wow, she has some well fleshed-out ideas and really wants to get in the magazine.”

Q: Do you prefer pitches of letters of intent (LOIs)?

Shatzman: It depends on the letter. Include a couple of paragraphs – introduce yourself, what you’ve written for, what your interest is.

Floyd: For me, LOIs don’t make a huge impact. What I’m more interested in is your ideas and if you’re the right person to write the story, and I can usually get that from the query letter. Add personal experiences – anything to let me know what makes you the right person to write the story.

Q: Can you tell us what you consider a good, fleshed-out pitch?

Shatzman: Write the beginning of the pitch like the beginning of the article. Make it catchy. Two to three paragraphs is enough. Include possible interview subjects, studies, what makes it timely. Explain why you’re the right person to write the story. If it’s your first time pitching me, include what other things you’ve written in this area.

Floyd: One page will suffice, but remember we’re pitching to other people, too, so include as much information as possible. You want to make sure I have the answer to any questions I’m going to get from my editor. Make me look good.

Q: What are some mistakes writers make when trying to establish a relationship with a new editor?

Shatzman: My biggest pet peeve: Your email needs to be professional, especially with the way you address someone. Err on the side of formality.

Floyd: When someone misspells my name, or when someone pitches me for an area/column I don’t handle. Also, an overly generic pitch — it really has to be specific to our magazine. If you have a website with your clips, definitely include that in your pitch. Also, I am not a phone person. I do 90 percent of what I need to do by email.

Q: Regarding follow-ups, what’s a good time frame, and how often?

Shatzman: I welcome follow-ups. It sometimes takes months to assign an article because I have to pitch to my editor, who has to pitch to her editor, etc. If an editor says, “I’ll tell you in a month,” wait for the month before following up. I also don’t like phone calls; email only.

Floyd: We have a two-month turnaround for pitches. Please don’t follow up the next day. I know it’s hard, but it’s a process and it does take time. I don’t mind if you include a deadline. After that, you can move on if you haven’t heard from me.

Shatzman: When you do follow up, make sure you include your original pitch. We get so many pitches, we can’t keep track.

Q: If you do reject a pitch, should the writer pitch another article right away or wait?

Floyd: Span out your pitches. It shouldn’t be something you can crank out in a day. To me, that means you haven’t really tailored it to my magazine. You can pitch again, but wait a few weeks and flesh it out.

Shatzman: Take the time to tailor it to the magazine. And remember, I don’t always have the time to tailor a response to everyone. I might just write back with, “No, thanks.” Don’t take it personally. I just don’t always have the time to give specific feedback.

Q: Do you mind if writers ask for feedback on a pitch that’s rejected?

Shatzman: It depends on the stage the pitch has gotten to. If it has gotten to a higher stage – I pitched it to my editor, who pitched it to her editor – I might spend a few extra minutes to tell you why it didn’t work.

Floyd: If you want feedback, you have to be open to feedback that might not be nice to hear.

Q: Do you have to be a woman to write for women’s magazines?

Floyd: You don’t have to be a woman and you don’t have to be African-American to write for Essence.

Shatzman: If you have a great idea, we don’t care who it comes from.

Q: Do you like it when writers suggest extra elements for a story, such as video, sidebars, etc.?

Shatzman: Any time you add extra elements, it shows you’ve done your research.

Floyd: It helps.

Q: Once a writer has the assignment, what are some mistakes that make you think, “Never again”?

Shatzman: Being late is not a good thing. If you’re going to be late, always ask for an extension vs. going MIA. Also, turning in a completely different story than was originally pitched. If something changes, keep in constant contact with the editor.

Floyd: 1) Turning in a story late. There has to be a serious reason. If you know it’s going to be late, tell me ASAP. If you hand it in early, we’ll totally assign to you again because then we’ll know you’re a writer we can go to in a pinch. 2) When we ask for revisions, read the suggestions and make changes. Ultimately, 15 other people will have an idea about the story. Go with the flow. Be flexible. Don’t fight us on it.

Q: Are revisions commonplace?

Shatzman: There are always revisions. Always expect them. Editors change their minds. Sometimes it’s just a handful of questions.

Floyd: It runs the gamut, but unless you’re Maya Angelou, there will probably be some revisions.

Q: In what format do you want clips?

Floyd: Please do not send me attachments. Links are at the top of the list.

Shatzman: It’s also good to include two clips from the same magazine. It shows the editor there went back to you.

Q: How do you want to be pitched?

Shatzman: Email: celia.shatzman@meredith.com

Floyd: Email: lfloyd@essence.com

Written by Maria Perez, director of news operations for ProfNet, a service that helps journalists find expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/