Tag Archives: ProfNet Connect

Media Moves & News for November

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MEDIAware, PR Newswire’s Audience Research Department newsletter, featuring media news and job changes in the last month, is now available. Here is a sampling of this month’s edition:

Newsweek (http://www.thedailybeast.com/content/newsweek.html)announced it will cease printing with its last issue on Dec. 31st. Newsweek will be an online publication only in 2013. Newsweek estimates that its been losing $40 million annually on the print edition. Layoffs are expected in the transition. The new online product will be called “Newsweek Global”. Some Newsweek articles will continue to be available on The Daily Beast (http://www.thedailybeast.com) free website run by the same company. Newsweek began in 1933 and competed and battled with Time magazine to provide readers with the top weekly news stories in the newsweekly magazine business. The magazine peaked in 1991 with 3.3 million readers and was down to 1.5 million at the midway point this year. The lack of advertising dollars for a national weekly losing readers played a part in the demise as well.

It’s stormy weather for employees of The Weather Channel (http://www.weather.com) lately as approximately seven percent were laid off last month. The Atlanta-based company, which recently celebrated its 30th anniversary, had to lay off employees as part of a restructuring. The restructuring affected about 75-80 people. The last such layoff was in 2008 after NBCUniversal acquired a controlling share of the company. Meteorologists Jeff Morrow and Adam Berg were among those out.

The Seattle Times (http://seattletimes.com) reported on its own employees protest against the company, following the company’s controversial decision to purchase a full-page ad supporting the Republican gubernatorial candidate Rob McKenna. More than 100 Seattle Times news staffers – including reporters, photographers, columnists, artists, editors and online news producers – signed a letter protesting the Times Co’s decision to sponsor newspaper ads supporting Republican gubernatorial candidate McKenna and a statewide referendum for legalized gay marriage. The employees cited threats to the paper’s credibility and neutrality as reasons for the protest.

Anderson Live (http://www.andersoncooper.com), Anderson Cooper’s daytime talk show, will not return for a third season. The program will run until Summer of 2013 completing its second season. You can still see Anderson Cooper on his CNN program “Anderson Cooper 360″ (http://ac360.blogs.cnn.com/).

After Newsweek announced its move to digital earlier this month, popular Senior Correspondent Peter J. Boyer makes a major move. The former New Yorker and Vanity Fair Staff Writer has been named the new Editor-at-Large of Fox News. The new hire was named by Fox News CEO Roger Ailes in a statement to his staff, describing Boyer as a “talented and insightful journalist.”

Former “CBS This Morning” Co-host Erica Hill has joined NBC’s “Weekend Today” as its new Co-host. Hill will host on Saturdays and Sundays beside Lester Holt. In addition to her new Co-hosting duties she will be a national correspondent for NBC News reporting on “Today” and “NBC Nightly News”.

Comedian Adam Carolla has joined Fox News Channel (http://www.foxnews.com) as a Contributor mainly on “The O’Reilly Factor” program (http://www.foxnews.com/on-air/oreilly/index.html). Carolla is set to appear each Monday on the show to comment on political and social issues. In addition to appearing on “The O’Reilly Factor” he will make appearances on other Fox News Shows. You can also see Carolla on his daily podcast show “The Adam Carolla Show” (http://adamcarolla.com).

As countless publications continue to take major hits due to the economic recession Condé Nast Corporation (http://www.condenast.com) announces several cutbacks. Eight editorial staffers and three business staffers were laid off at Self Magazine as part of Condé Nast’s 2013 budget cuts. According to New York Post, reports state that each title under the major publishing house must cutback by an estimated 5%. Although the cutbacks are said to continue within the coming months, large brands such as Vanity Fair and The New Yorker may escape staff reductions this time around. However, other powerful names were not so lucky, such as Susan Portnoy (Vice President Media Relations for Digital and Corporate Communications), most commonly known for her involvement in New York’s annual Fashion’s Night Out.

LANG (http://www.langnews.com) which include the Los Angeles Daily News, the Torrance Daily Breeze and seven other papers has taken the obvious next step into becoming a regional news operation with an emphasis more on digital and less on geographical. Carolina Garcia will take over as Managing Editor of digital news for all LANG papers.

The Chicago Sun-Times (http://www.suntimes.com) has announced the hiring of Actress and Author Jenny McCarthy as Columnist. Ask Jenny will appear in the newspaper’s Splash section, and her blog will run Monday through Friday at splash.suntimes.com. The column will focus on and answer questions about love, sex, parenting, friendship, fitness and duties of a single mother.

Wired (http://www.wired.com) is bringing advertisers and the blogging community together by running ad-sponsored blogs. http://www.adweek.com/news/press/wired-bringing-advertisers-and-its-blogs-closer-together-136211

The Los Angeles Times (http://www.latimes.com) circulation figures are showing an increase due to paid digital subscriptions: http://www.laobserved.com/biz/2012/10/digital_helps_lat_ga.php

Meteorologists Dick Albert of WCVB-TV (http://www.wcvb.com) in Needham, MA and Steve Cascione of WLNE-TV (http://www.abc6.com) in Providence, RI are teaming up to create a weather-focused online forum called SkyWatchers (http://skywatchers.me) which is set to launch by the end of this year. SkyWatchers will be a platform for weather lovers to connect with and share information about all things weather. They are tweeting: https://twitter.com/skywchrs

The Press of Atlantic City (http://www.pressofatlanticcity.com) powered on through Hurricane Sandy and printed 24-page editions on Tuesday Oct. 30 &  Wednesday Oct.31st.

You can view the whole October issue of MEDIAware here: http://www.prnewswire.com/knowledge-center/mediaware/

And all of the Regional Updates here: http://www.prnewswire.com/knowledge-center/mediaware/November2012AgilityUpdatesByRegion.html

You can also follow all of the latest media moves and news from PR Newswire’s Audience Research Department on Twitter at: https://twitter.com/PRNmedia

Tips for Using Photos for PR (#ConnectChat Recap)

Every other Tuesday, from 3 to 4:30 p.m. EDT, ProfNet hosts #ConnectChat, a Twitter-based interview that covers topics of interest to media and communications professionals. You can also find recaps of previous #ConnectChats on ProfNet Connect. Interested in being a featured guest on an upcoming chat? Find out how.

Visuals are playing an increasingly important role in companies’ PR and marketing efforts. A good photo can increase visibility for your news release, and photo-sharing sites like Pinterest and Instagram are more popular than ever.

(Take a look at images people have pinned from PR Newswire press releases on Pinterest recently!  PR Newswire  press releases on Pinterest.)

So, what makes a good photo? What should companies be thinking about when looking to increase their use of photos in their PR and marketing campaigns?

Jill Ulicney, PR Newswire’s manager of photo products, answered these questions during a #ConnectChat in September.

In her role as manager of photo products, Jill oversees PR Newswire’s image distribution options, which include delivery to the media, online distribution, placement on the Reuters Sign in Times Square, and photo archival. She also manages PR Newswire’s assignment photography service, which provides customers with event coverage, executive portraits, and product shots. To view PR Newswire’s Photos feed on Twitter, follow @PRNphotos.

Following are highlights from the chat:

What kind of images are good for press releases?

Logos are important to include with press releases. They draw attention and add branding.

For product announcements, it is essential to add a product shot. Would you buy something without first seeing a picture?

Charts and infographics are also helpful and can convey a lot of ideas within one image.

Can you recommend any resources for creating charts and infographics?

Both Visual.ly and Piktochart have great infographic-creation tools.

What about for intangible products, like software or services?

For software, I would suggest using screenshots. For services, a logo is always helpful.

Any other types of images that are good for press releases?

When announcements mention executives, it’s a perfect time to include a portrait of the executive.

What makes a good executive portrait?

Executive portraits should be appropriate for the position and industry of the subject.

Professional photographers excel at portraits. They can suggest what to wear, how to pose, background, lighting, etc.

A tip from our staff photographer: Environmental portraits can have more impact than a traditional portrait and can give more context. For example, an executive of a restaurant chain can pose in a kitchen. Personality makes the photo stand out from hundreds of similar shots.

What are the benefits of using photos with press releases?

PR Newswire’s Web analytics show that adding a photo to a release can increase views by up to 1.8x. Distributing a photo with a press release results in broader reach than if the photo or release is sent alone. Press releases with multimedia content are shared more often than plain text releases via social media. Multimedia news releases have longer online life. They generate visibility for an average of 20 days vs. 9.4 days for a text-only release.

How many photos are ideal?

I always suggest using at least one. Use your logo if you don’t have other images handy. Research shows that sharing multiple photos in a Facebook album can result in a large increase in clicks.

What makes a good photo?

PR photos should be high-res, at least 300 dpi and nine inches on longest side. Clear images with good lighting and composition are key. Larger photos are preferred because an image can retain quality if it must be sized down, but quality is lost when enlarged. Mobile device cameras are improving, but photos from digital SLRs are still preferred.

Also, action shots are more interesting to viewers. Show the subject doing something instead of having them pose. Posed large group shots don’t always read well and are less likely to grab attention.

Professional photographers are often the way to go. They have experience getting the best shots and top-of-the-line equipment.

What are the typical rates for professional photographers?

Photographer costs depend on lots of factors: image usage, time, location, subject matter. For a half-day photo shoot (under four hours) and PR/editorial usage, photo-shoot prices are around $900.

Besides the photo itself, what else should PR pros consider?

It is important to remember photo captions to give context to your images.

What makes a good photo caption?

Major keywords should be at the start of the caption, which should not exceed 2,000 characters. Photo captions should hit the five W’s — who, what, where, when and why – and can include the URL for the company site.

What about photo SEO? Any tips for optimizing photos?

For photo SEO, descriptive captions come in handy. Use 3-4 keywords for the image name instead of using a vague image name straight from your camera. “IMG_0037.jpg” will not help SEO.

Don’t forget alt text for your images. Use 3-4 solid keywords as alt text to further optimize your images.

Are there any photos you can recommend as good examples?

This release uses an interesting action image to bring attention to the company’s product.

One more example: Here’s a great food image.

ProfNet, a service of PR Newswire, has helped journalists and experts connect since 1992. Writers can search the ProfNet Connect database of more than 50,000 profiles; send a ProfNet query by email to thousands of subscribers around the globe; or get timely experts and story ideas by email.

An Inside Look at the Magazine Health Beat

The American Society of Journalists and Authors (ASJA) recently held its annual Writers Conference, which featured more than 80 sessions covering a wide variety of topics, from how to write a book proposal to how to break into magazines.

While the sessions were targeted to freelance writers, the information is also helpful to PR professionals looking to get their clients in these publications. Not only does it give you an inside look into what the publications look for, but it also gives you an idea of what freelancers need in order to pitch these publications successfully.

Following is a recap of the session on how to pitch to health magazines, which featured Catherine DiBenedetto, articles editor at O, The Oprah Magazine; Jennifer Rainey Marquez, senior editor at Parade; and Leslie Quander Wooldridge, senior associate editor at AARP The Magazine.

(You can read other recaps from the conference here: Breaking into Women’s Markets and How to Look and Sound Great on Camera.)

Catherine DiBenedetto, O, The Oprah Magazine

As articles editor at O, The Oprah Magazine, DiBenedetto edits feature stories and the health section, Feeling Good. She has also worked for Wired and Field & Stream.

The Feeling Good section is 6-8 pages and covers both physical and mental health. It covers a wide range of topics, from the psychology of forgiveness to the nutritional benefits of various types of seaweed. One story is 1,500 words, and is typically in the first person, with anecdotes and examples woven throughout. The rest of the stories are 400-600 words, in a variety of formats – annotated illustrations, Q&As, profiles, decision trees, charts, and first-person narratives – to keep it interesting.

DiBenedetto said 90 percent of health stories in O, The Oprah Magazine come from pitches. When pitching, include as much information as you can. She is not interested in stories about parenting, relationships, rare diseases. Stories have to cover the most number of people possible.

Other things DiBenedetto looks for in a pitch:

  • It offers fresh, surprising service. The goal is to provide concrete advice that will resonate with a large percentage of readers. When pitching, include what specific advice the piece will offer. “It’s really hard to pitch a story if you don’t know what tips the story is going to provide,” she said.
  • It has a news hook – new research, a new book, a trend, scientific insight, etc. Why run the story now? But she does occasionally make exceptions for great service pieces or cool formats no one else has done before.
  • It has an extra layer. Can a story be formatted in an interesting way? A creative layout can elevate a piece by offering additional service or visual aids that bring the text to life. If you have an idea for how to package your story, include that. Sidebar ideas are also welcome.
  • It’s well-written. “The pitch is the best way we have to judge a new writer’s voice,” said DiBenedetto, “so we’re looking for pitches that are well-crafted, tight and lively.” Use a lead in your pitch that you would use for the actual article.
  • It’s comprehensive. Feeling Good pieces typically run anywhere from 550 to 1,200 words. The pitch should clearly outline the structure and content of the piece.

O, The Oprah Magazine offers freelancers $2 a word.

Jennifer Rainey Marquez, Parade

Marquez is the senior editor for Parade, covering health, among other topics. She was formerly the senior health editor at O, The Oprah Magazine, and has also served as health editor at Women’s Health and Woman’s Day.

Parade is a small publication with only a few spots for writers to pitch. The good news is that because it’s a weekly, those spots are open 52 times a year.

Marquez said half of the stories are produced in-house and half come from freelancers. The magazine’s lead time is 3-4 weeks, and story ideas should be pitched 6-8 weeks in advance. She prefers to be pitched by email.

When pitching, remember:

  • Space is at a premium. Cover stories are only 1,500-2,000 words, while other pieces can run as short as 250 words.
  • Parade has the largest readership of any magazine in the U.S., with both men and women, older and younger readers. Think broadly in terms of whom the pitch should appeal to.
  • Parade is “America’s Sunday magazine.” Think about the “Sunday feeling” in your pitches. Readers are relaxed, and are planning and looking forward to the week ahead. They’re in the mood to be informed, entertained, inspired. If your idea is super-gritty or super-edgy, it might not have the right vibe for Parade.
  • Parade has a very granular, local reach. Because the magazine is delivered with nearly 700 newspapers across the country, it tries to hit the community/hometown “American stories” note.
  • The magazine is like a mix between Time and Reader’s Digest. While the magazine wouldn’t run the hard-hitting Time cover story on Syria, they would do a version of the Time cover story about inter-species animal best friends, or the new science of your brain, or a new trend story about the state of the American family.

What/where to pitch:

Non-celebrity cover stories are typically pitched in-house or written by “brand-name” contributors, but she will make exceptions for a very special subject/writer, such as if you have access to an amazing emotional narrative no other national media has picked up on, or you’re an expert on a trend that’s begging for national coverage. Here are some past, non-celebrity cover subjects that ran in 2011/2012:

  • “The Science of Love” (to coincide with Valentine’s Day)
  • “Inside the Minds of Sports Superfans” (to coincide with the Super Bowl)
  • A profile of a never-ending altruistic organ-donor chain
  • “Born to be Wired”: How being connected 24/7 is changing how our kids live
  • “Take Back Your Weekend!”
  • “The Science of Cats vs. Dogs”: Which pet has the upper paw?
  • “Where Do We Go from Here?” about the end of the space shuttle program

Most features are treated as packages, with multiple editorial elements. A reported, newsy mainbar might be accompanied by a service-driven sidebar, a fun timeline or an infographic — or some combination.

Cover features also need to meet special criteria, i.e., it must be a story that just about anyone would be interested in reading.

Non-celebrity secondary features are shorter than cover features but longer than a column. At about 750 words, non-celebrity secondary features are often more service-driven stories, but could also include profiles or news-driven trend pieces. Here are some examples of successful secondary features:

  • A service story about how to distinguish normal aging from signs of the disease (pegged to Pat Summit’s announcement that she was diagnosed with early-onset Alzheimer’s)
  • A profile of a soldier-turned-farmer whose farm has become a place for disabled vets to work and heal.
  • The story of a beloved Arizona public library that’s struggling to stay afloat.
  • The science if willpower:  how to make your good habits stick (it ran two months after New Year’s Day as a “resolution update”)
  • A story about how the citizens of Shanksville continue to keep vigil at the crash site of United Flight 93.

Stay Healthy is a weekly column, edited by Marquez, that comprises much of the magazine’s health coverage. The column includes a wide range of health subject matter, including disease prevention, fitness, nutrition/healthy eating, weight loss, behavioral/psychological health, kids’ health/parenting, “breaking down the headlines”-type newsy stories, and overall healthy lifestyle.

A few times a year, Marquez also assigns short profiles of “Health Heroes,” someone who is making a positive difference in improving the health of other Americans.

The word count for these stories is typically 250-300 words, so pitches need to be targeted and well-defined. Here are some examples of columns that have run recently:

  • Bystanders aren’t performing enough CPR, but a new hands-only method, endorsed by the AHA, means it’s easier than you think.
  • New guidelines suggest pediatricians screen kids as young as 9 for high cholesterol – here’s what parents need to know.
  • A review of gadgets designed to help you stay active at your desk.
  • A roundup of new health apps.
  • A new survey shows parents don’t feel comfortable talking with their kids about weight – here’s the right way to tackle the conversation.

Views are one-page essays (about 750 words) that run toward the back. While the magazine has a few standing columnists (Connie Schultz, Joe Scarborough, Mika Brzezinski) and other contributing book, Marquez will occasionally run a one-off essay from a freelancer. These need to be heart-warming or funny, with a very universal theme/takeaway.

What not to pitch:

  • Celebrity stories
  • Front of book: The FOB section is undergoing a redesign and no longer accepts pitches.
  • 7-Minute Solution: These are always done in house.
  • Anything having to do with regular columnists, e.g., Marilyn vos Savant.
  • Anything having to do with Parade franchises: What People Earn, What America Eats, Parade All-America, etc.
  • Stories related to pregnancy or babies. The magazine does cover kids’ (ages 8-18) health topics.

Marquez said Parade offers freelancers a rate of $2-$3 a word, “to make it worth your while, since it’s such a small story.”

Leslie Quander Wooldridge, AARP The Magazine

Wooldridge is the senior associated editor of AARP The Magazine. She currently edits front-of-book news and trends pages, which include health topics, along with back-of-book relationships content. She is also a freelance writer for other outlets, including the health section of USNews.com.

AARP The Magazine, the largest-circulation magazine in the world, focuses on a consumer audience aged 50+. Two big focuses of the publication are health and money, so those sections offer good opportunities to break in.

The magazine has a lead time of 4-6 months. Health features and departments should be pitched to Gabrielle Redford. Shorter, trendier health items should be pitched to Wooldridge.

Wooldridge offered these do’s and don’ts:

DO:

  • Read 2-3 issues of the magazine before pitching. “We have covered quite a bit.”
  • Make sure your topic really applies to the 50+ audience.
  • Get to the point quickly.
  • Be able to show why your idea is right, and why it’s right now. For example, they wouldn’t take a pitch on a story about general yoga, but a pitch about aerial yoga, which has specific health benefits for people 50+, would be appropriate.
  • Think about multiple platforms.
  • Be conscious of your tone of voice when pitching. Some new writers can be patronizing to the audience. Remember, the magazine is accessible and generally upbeat.
  • Include more than a few sentences in your pitch. Submit well-developed, well-reported pitches, especially if you’re new to the publication.
  • Be patient. It can take up to six weeks for Wooldridge to review ideas and respond.
  • Email. Don’t call or send snail mail.

DON’T:

  • Don’t pitch a roundup of various diseases. The magazine likes to focus on one new timely issue.
  • Don’t pitch items on stereotypical “older people.”
  • Don’t pitch overly “science-y” pitches. Remember that AARP The Magazine is an aspirational lifestyle magazine.
  • Don’t pitch expensive health treatments or products – readers are typically not wealthy.
  • Don’t pitch children’s news – readers are

What not to pitch:

  • Stories about 80-somethings running marathons or super-athletes age 70+. “These people are amazing and we admire them,” she said, “but we’ve done these stories before.
  • Stories that focus only on the magazine’s oldest readers. Most stories should be relevant to younger and older audiences. (An example of an actual pitch: oatmeal, “because you don’t need teeth to eat it.” – Don’t be the person that sends that pitch.)
  • Standalone stories about individuals who have a particular health problem.
  • Stories about rare diseases.

Because stories are typically less than 350 words, AARP The Magazine offers freelancers $2 a word.

Author Maria Perez is director of news operations for ProfNet, a service that helps journalists connect with expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/

9 Tips on Being a First-Rate Radio Guest

Each week, Dear Gracie answers questions from ProfNet Connect readers with advice from our network of nearly 50,000 ProfNet experts. Has there been a question burning in your mind lately, something you’ve been wondering that none of your colleagues can answer? Please send it to grace.lavigne@prnewswire.com

Dear Gracie,

I was asked to be a guest on a local radio station, and although I’ve done TV interviews before, I’ve never been interviewed on the radio. What’s different about radio interviews? Any special tips?

Radio Rookie

**********

Dear Radio Rookie,

A dozen ProfNet experts with extensive experience in radio tune in:

1. Preparation: Background on Radio Station

“Take a little time to go to the radio program’s website and read about your interviewer,” says John Angelo, director of radio relations at PremiereTV, a Santa Monica, Calif.-based broadcast publicity services company. The host will appreciate it if you are familiar with the show and audience, especially if you can tailor specifics, like stats, for example, to the audience.

“Listen to the program a few times before appearing,” suggests Susan Tellem, partner at Tellem Grody Public Relations. Find out if the host has any “hot buttons” that you can anticipate.

For example, does the host like to “go off-topic, joke around or get right to business”? says Pam Abrahamsson, vice president of account management at Stephenson Group.

Check the radio station’s blog or Facebook page, or the website’s comments section, to get a sense of what listeners say and feel about the show, suggests Abrahamsson.

Additionally, find out if the interview is live or taped, says Donn Pearlman, president of Donn Pearlman & Associates, who was also a radio and TV journalist for 25 years with WBBM-CBS Chicago, and author of “Breaking Into Broadcasting.”

If the interview is taped, realize that parts of the conversation may be rearranged afterwards, says Alyssa Nightingale, president of Nightingale Public Relations. What a guest says at the end may be put at the beginning, or certain parts might end up being left out entirely. Your words could also gain extra gravitas from the inclusion of music or other effects.

Write your name, title and organization on an index card in print for the host, and hand it to them before the interview starts, suggests Tellem. “If your name is difficult to pronounce, spell it phonetically as well.”

2. Preparation: What to Say

Just because you have the information in your head doesn’t mean you’ll remember all of the important facts on air, says Angelo. “Have some notes laid out in front of you with the most pertinent facts.”

Clients should answer the questions the host asks them, but they shouldn’t feel bound by them either, says Thomas Madden, chairman and CEO of TransMedia Group.

For example, pay attention to current news and trending topics that you might be able to tie in to your interview to make it more relevant and interesting, says Irene Majuk, publicity director of AMACOM Books.

The host wants you to add insight and color, agrees Angelo. Use phrases like “and if I can expand on that,” “on that note” or “you may also be interested to know,” to transition to another point.

If you want to gently disagree with the host, say something like “I can see your point, but you should know…” says Scott Sobel, president of Media & Communications Strategies.

Similarly, if you’re asked an awkward question, try to answer it briefly and then bridge to a better conversation point, says Shel Horowitz, marketing consultant and author of eight books, including “Guerilla Marketing Goes Green: Winning Strategies to Improve Your Profits and Your Planet.” Try a response like “that question really takes 20 minutes to answer, but let me talk about this one aspect…” or “you’d think that would be true, but actually…”

“Chances are good that the interviewer will not have read your book, seen your movie or know much about anything you want to talk about,” says Pearlman. “Be prepared to get your points across and steer the interview in that direction.”

But do not make it sound like you’re reading, stresses Angelo. “The interview is meant to sound like a natural dialogue.”

3. Promotional Info

Remember to mention the product or service you are promoting, says David Johnson, CEO of Strategic Vision, a PR and political consulting agency. Don’t refer to your product as “it” or “my book,” for example; listeners can’t guess what you’re talking about. Work more detailed descriptions into your responses.

Don’t be reluctant to share too much information, continues Johnson. Some guests mistakenly believe that if they provide listeners with lots of details, then listeners won’t be interested in buying their product. For example, Johnson knows a radio host who once had to stop an interview with an author because every response was “come to my book signing if you want to find out more.”

“Nothing guarantees cutting a radio interview short then failing to give insightful and informative answers,” explains Johnson.

But it is OK however to answer a question briefly and then say “I cover that in more detail in chapter 15 of my latest book,” says Horowitz. There’s a balance.

4. Concise, Simple Words

A common beginner mistake is using big words to prove how smart you are, says Dan Collins, senior director of media relations at Mercy Medical Center in Baltimore. If you’re a guest on the radio, it’s already established that you’re an expert of some sort, or you wouldn’t be on the air.

“Use concise, to-the-point language, and make sure your answers are relatively brief,” he continues. If you drone on for a minute, you will lose listeners.

“Speak in plain, simple language that makes it easy for everyone to understand,” adds Angelo.

But never give a yes/no answer, notes Nightingale.

“Have no more than three major messages you want to get across,” says Collins. Tell your story in the first person — people love anecdotes, he says.

You want to leave time for questions, so your responses shouldn’t be more than 15 or 30 seconds at a time, reiterates Madden.

Pearlman suggests keeping responses to two or three sentences at a time, if possible.

5. Descriptive Language

Paint pictures with words, says Collins. “Research indicates that sight accounts for 83 percent of what we learn.”

So instead of saying “About 50,000 people in Maryland have been diagnosed with irritable bowel syndrome,” say “Imagine Oriole Park on opening day, a packed stadium — that’s how many people will be diagnosed with irritable bowel syndrome in Maryland this year.

Additionally, try to include the name of interviewer in at least one of your answers, says Nightingale.

6. Voice Control

Try speaking the information you’d like to get across out loud before the interview, suggests Angelo. “You may find that certain combinations of words are easier read than spoken.”

During the interview, speak loudly and with a deep voice to convey authority, says Johnson.

“Beginners tend to either scream or swallow their words into the mic or telephone,” says Sobel. “Speak in a slightly louder than normal voice and project a bit.”

Supercharge your breathing, voice and how you feel by simply standing up, says Abrahamsson. “Your diaphragm — the key to better breathing and voice control — performs much better when not constricted by sitting down. You will also feel more psychologically ‘on’ when you are standing up.”

“Be sure not to give a monotone, one-note interview,” says Angelo. “Fluctuate your voice.”

People will listen more closely if the guest has an engaging vocal pattern, agrees Jennefer Witter, president of The Boreland Group. Put a “smile” in your voice, she suggests.

“Slow it down,” adds Angelo. “You may need to speak a little slower than you do in your natural conversations.”

Ask for a glass of water to have on hand in case your voice gets dry, adds Tellem.

If you’re on the phone, make sure you are in a secure and quiet place so there isn’t any background noise, suggests Johnson.

Never use a cellphone for an interview, stresses Majuk. Always use a landline.

7. Pauses and Stumbles

Don’t be afraid to pause sometimes, says Angelo. People feel the need to fill space with words like “um,” “uh” or “you know,” but if you speak slowly, you will avoid these.

Rehearsing beforehand also greatly reduces the number of “ums” in an interview, says Witter. Try to get the host’s questions beforehand.

And if you lose your train of thought, that’s OK, says Collins. It shows you’re accessible, humble and human, and gives you and the audience some common ground. Just say something like “I seem to have derailed my train of thought!

Sobel also suggest saying, “Let me restate that so I can be clear,” and then repeating your three main points.

Don’t let any stumbles throw you off, says Witter. Everyone stumbles — even the president! Just act quickly and recover. Make a joke, if appropriate, and then go back to what you were saying.

8. Enthusiasm

“The most important thing to communicate in a radio interview is enthusiasm,” says Madden. “Radio is a personal, intimate medium, and listeners are not only paying attention to what you say, but how you say it.”

Unless it’s a very serious subject, making the message fun can help it stick, says Madden.

Know your host, adds Johnson. “If they joke with you, joke back.”

Remain calm at all times, says Tellem. Sometimes callers, hidden behind anonymity, will say outrageous things. Stick to your message!

Most importantly, enjoy the interview, says Nightingale. The host has chosen you to interview, and has provided a wonderful opportunity to get your message out to the world. “Be courteous, thankful and professional.”

9. Wrapping Up

As the interview is winding down, give out your website and say the title of your product or service, says Horowitz. Ideally, offer something cool on the website so listeners have an incentive to visit. “Your website, of course, should have a domain that’s easy to remember while people are driving.”

If you share a website, make sure the link works, adds Nightingale. And if you are selling a product, be sure to tell listeners where they can buy it too.

“Email the host and producer after the interview, thanking them for the opportunity to be on their show,” says Majuk. “Mention that you hope they will keep you in mind for future interviews.”

“Promote the interview on your website and blog, as well as across your social media platforms,” she adds.

Over and out,

Gracie

Written by Grace Lavigne, senior editor of ProfNet, a service that helps journalists connect with expert sources. Dear Gracie is published weekly on ProfNet Connect, a free social networking site for communicators. To read more from Grace, check out her blog on ProfNet Connect.

Image courtesy of Flickr user andybee21.

Seven Strategies to Connect with Reporters

I was recently a panelist on a Bulldog Reporter webinar, “Seven Proven Techniques for Getting Journalists to Call You to Generate Massive Coverage.” While I don’t consider myself an expert on public relations, my years of working with both journalists and PR pros here at ProfNet have given me some insight on ways that both sides can work together. Here are some of the tips I shared during the webinar. I hope you find them useful:

Be the Expert on Your Experts

Sure, you know that the CEO of the tech startup you represent graduated from Yale, or that the owner of that small flower shop can provide consumers with tips on how to make their flowers last longer. But how well do you really know them?

There is more than one way to get your experts in print. Consider “non-expert” queries, where reporters are looking for anecdotes or “man on the street” interviews — like a recent one from a Wall Street Journal reporter who was looking for day traders, or the New York Times reporter who needed to talk to coaches who used to be ministers.

The more you know about your experts, the more opportunities you’ll find. So when that reporter from the Associated Press is looking for the CEO of a small tech startup who likes to hang-glide on weekends, you’ll be ready.

Plan Ahead

Reporters typically use the first good source that replies to their queries, but they also want responses that are personalized and include a quote or statement from the expert. That’s a lot to put together in a short amount of time, but with a little planning, you can have most of it ready to go when a reporter reaches out.

There are some topics that happen every year, at the same time of year. For example, if you represent an expert on autism, you can prepare a lot of material in advance of Autism Awareness Month (April). Create a document with background info on the expert, some bullet points regarding new research, even some quotes from the expert. You may need to edit the document so it fits the exact needs of the reporter’s query, but doing the legwork in advance will save you valuable time and allow you to respond quickly.

You can also send out a press release in advance of news, to get on reporters’ radars. If you’re a ProfNet member, you can also issue an Expert Alert, via which you “alert” reporters to experts who can talk about timely topics.

Think Like a Journalist

One thing I consistently hear from journalists is that PR reps that make life easier for them are the ones they go back to again and again. Think about the kind of information they need to include in an article, and make it available to them. When pitching by email, write the subject line as an article headline. Don’t use excessive jargon. The less work they need to put into it, the more likely they’ll be to use it.

Speak in Sound Bites

This applies both to PR pros and experts. In this era of Twitter, everyone needs to think in sound bites. Thoughts should be concise and quotes should be tweetable.

Last year, I attended the RealTime NY conference. One of the panel speakers was Frank Eliason, SVP of social media at Citi. While there were four others on the panel, Eliason’s quotes were the most tweeted. Why? He spoke in sound bites.

Your expert could well be the perfect source for a reporter, but unless he/she can succinctly express his thoughts, he/she still won’t get quoted.

Be a Connector

Your primary goal is to get press for your experts — that’s a given. But if there’s a publication or reporter that’s part of your media plan, help them out even when there’s no direct benefit to you. Become the person the reporter can go to in a pinch, and they’ll come back to you when it will benefit your client.

Also, be available when others aren’t. This doesn’t mean you have to answer your phone at 3 a.m. on a Sunday, but someone — whoever you designate that to be – should be available when there’s breaking news in your expert’s industry. Include after-hours numbers in every communication – in your email signature, on press releases, on your website, on your Twitter/Facebook pages, etc. If a reporter is on deadline and is looking for a quote, be the one he knows he can get through to.

Be Where the Reporters Are

At a Social Media Week panel last year, one of the sessions was on how to increase your interaction with your audience. The key takeaway was, be where your audience is. The same advice applies to PR: Be where the reporters are. Have a presence on Facebook, LinkedIn, Twitter, Quora.

Develop Online Influence

Having a presence on social media is not enough, though. You must interact and contribute meaningful content. You must engage. Don’t just link to articles – add your own take and expertise.

Participate in Twitter chats in your industry – not only will they open you up to a new audience, but they can also introduce you to journalists in the industry who are researching via hashtags.

Start a blog. Remember that material I suggested you put together for pitches? You can take a lot of that and turn it into blog posts. Also, monitor ProfNet queries to spot trends – that’s what people are talking about and that’s what you should be writing about.

Cross-post your blog on other networks. Not only will you reach a new audience, but you’ll also get promoted by the other network. For example, Beth Monaghan of InkHouse Media + Marketing, regularly contributes the blog posts she writes for her own Inklings blog to the ProfNet Connect network. Her posts are well-written, informative, timely – and very popular. In fact, her posts are often the most read on the site in any given month.  What’s the payoff for her? ProfNet Connect has been a major source of traffic back to her blog. Her posts have also been cross-posted on PR Newswire’s Beyond PR blog, giving her and InkHouse even more exposure and traffic.

Share your expertise. Answer questions on Quora, LinkedIn and other services that have Q&A areas. Send press releases about any content you create. For more tips, read Curating Content for Thought Leadership.

So that’s it, those are my seven tips for connecting with reporters. What do you think? Any you would add? What strategies have worked for you?

Author Maria Perez is director of news operations for ProfNet, a service that helps journalists connect with expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/

ProfNet #ConnectChat recap: Online tools for journalists

With new websites and online tools popping up every day, it’s hard to keep track of all the resources out there for journalists. In our latest #ConnectChat, Mike Reilley (@journtoolbox), founder of the Society of Professional Journalists’ research site, The Journalist’s Toolbox, shared his expertise on how journalists can improve their reporting using online tools.

Reilley teaches several classes at DePaul University, including courses on online journalism, news editing, multiplatform news editing, reporting for converged newsrooms, online sports reporting and an intro to journalism. He was one of the 11 founding editors of ChicagoTribune.com, and serves as faculty adviser to DePaul’s SPJ chapter, named National Student Chapter of the Year in 2011. He and his students run a weekly Twitter chat, #SPJchat, for the SPJ National office. The Thursday night discussions, which start at 7 p.m. CST, explore various issues in the journalism world.

Following are highlights of the chat:

ProfNet: For those not familiar with the Journalist’s Toolbox, can you tell us a little more about it?

Reilley: The Journalist’s Toolbox started as 10 links off an online news-writing syllabus when I taught at Medill in the late 1990s. I turned it into a dot-com in 2000, sold it to the American Press Institute in 2002, then resold to SPJ (Society of Professional Journalists) in 2007. SPJ has been a great home for the Toolbox and elevated what we can do with it. I update the site 2-3 times a week with helpful tools for journalists. The site is organized by beats/topics for newsrooms. We have a lot of election resources on the Toolbox right now.

ProfNet: What are some of the newest online tools for journalists?

Reilley: Storify is great for curating social media coverage of news stories. Here’s a Storify we did of the Blagojevich sentencing: t.co/mjyL1sRx. Here’s a Storify we did from the Chicago blizzard last February: t.co/YMCnS64o. Storify is free and a great way to create sidebars/reaction stories to supplement your reporting. I’ve also been toying with Dipity, a free tool that creates timelines. Students really like it. Delicious and Pinboard.in are great for bookmark links. Here’s how I use Delicious: www.delicious.com/mreilley. Some of my old favorites: PACER for court documents; Open Secrets for campaign fund tracking; Guidestar to track down Form 990s and public documents. Many public records sites are on this Journalist’s Toolbox page: t.co/8ELWILPH. PACER and Guidestar do have fees for public records.

@NewsworthyinDC: What are the most common missteps new journalist make?

Reilley: Credibility is a huge obstacle for young journalists. You have to double- and triple-check everything. Once you earn the readers’ and editors’ trust, you’re set. Also: Don’t be afraid to take stories nobody wants!

ProfNet: Great advice! Do as many as you can.

@meg_heckman: Any examples of tools that help news organizations foster community engagement?

Reilley: We just talked about this in class. I like Twitter chats (hashtags) as well as CoverItLive (free live-chat tool). Also, Storify local reaction to major news events (bin Laden’s death). Search Trendsmap.com by ZIP Code.

ProfNet: You listed some good tools for journalists. Any others before we go to the next question?

Reilley: I like Hootsuite as my desktop Twitter client. You can manage up to four accounts for free. Hootsuite also has an iPhone app, though I use Twitter for the iPhone as my main mobile client. Other good mobile apps for journalists: Dragon Dictation, Convertbot, Wolfram Alpha, Pages, Numbers, Thesaurus, Factbook, Delicious bookmarks, Foursquare, Dropbox, Evernote, Photoshop Express, ReelDirector video editor, ProPrompter, Recorder, Recorder Pro, Garage Band, Soundcloud.

@meg_heckman: Our reporters are in love with SoundNote on the iPad 2. Any tutorials out there on using Wolfram Alpha?

Reilley: Never used SoundNote but will try it. I just used Wolfram trial and error to learn it. Search YouTube for a tutorial.

ProfNet: What about more popular sites, like Facebook and Twitter? How can journalists use those (or use them more strategically)?

Reilley: Facebook: Join groups/pages that may help you in your job. For example: I belong to Social Media Educators group. Create a page for readers to follow/interact with you. Nancy Loo of WGN-TV is great at this. Follow her and see. Twitter: Interact with readers. Share your stories/blogs that are published. Use social media curation to supplement your reporting. Hold online chats with a hashtag in your community about a story or issue you wrote about.

@bikespoke: Kred is an interesting new tool that helps you understand those who truly influence and connect.

Reilley: I will definitely check out Kred.

@comminternships: What multimedia tools do today’s journalism students need to be equipped with when they walk out the door?

Reilley: They need to be able to write a basic news story, single-topic blog, edit video (Final Cut), edit audio (Garage Band/Audacity), build audio slideshows (Soundslides), podcast and use social media.

ProfNet: That’s a lot to ask of them! Will they learn that in journalism school, or should they take other types of courses?

Reilley: Most good journalism schools teach software and tools in reporting/editing classes. Some students may take digital media outside. If your schools don’t teach social media and technology, ask them to! We really pressed for this at DePaul and got it!

ProfNet: What’s the most challenging part of teaching social media to students?

Reilley: Getting them to look past Twitter and Facebook as just tools to talk about themselves or “open text” friends. It’s still a hard sell with some students, but they realize they must use social media to work in journalism. Each year it gets a bit easier to teach social media. More students are using Twitter coming into class than 2-3 years ago.

@comminternships: For me, it’s teaching them that personal and professional shouldn’t mix in a social media feed. Have a separate account for each. In other words, don’t drunk tweet tonight and then tweet about a news story tomorrow.

Reilley: Or post drunk photos to your Facebook page! Ha!

@comminternships: One issue I’m finding in the classroom is students are more focused on the technology than on the writing — or the grammar.

Reilley: Good point. I teach an editing class on Wednesday nights. Start with iPad grammar apps, but use a grammar book too.

ProfNet: Do you think reporters should have separate social media accounts, one for personal and one for work?

Reilley: Good question. It depends how much they use the accounts for personal sharing. If you live-tweet your life, then separate. But if you balance it out — 70 percent professional and 30 personal personal — one account could work. Also, don’t tie Twitter to Facebook and LinkedIn. They’re usually different audiences or redundant for those who follow you on all two or three.

@comminternships: I advocate for separate personal and professional accounts, especially for students, because their professional and personal widely diverge.

@SaleemChat: It may be prudent to have a separate account if you want to post about intensely personal parts of your life. I find it useful to separate accounts by activity, e.g., a separate chat account, and one for high-volume live-tweeting.

ProfNet: Will social media ever be a suitable replacement for traditional forms of reporting, or just another platform?

Reilley: Absolutely not. It supplements first-hand reporting. @acarvin of NPR talked about this at SPJ’s national conference this year. You can use Twitter or Facebook to crowdsource and develop sources/relationships anywhere, but social media doesn’t replace a first-person, one-on-one interview.

@thegrammarnazi: Nor does e-mail, students.

@SaleemChat: The “Z replaces Y, which replaces X” formula is wrong-headed. New tools supplement or round out ways to tell stories/engage.

ProfNet: Any tips for PR professionals wanting to connect with reporters on social media?

Reilley: Yes, follow the key media in your field and encourage them to follow back. Keep pitches short (140 characters!). The key to building a relationship with reporters is to give them relevant information and provide access. A good place for PR people to go and find journalists on social media is Muckrack.com. It’s organized by beats, outlets.

@SaleemChat: Keep pitches to 140 characters in email, too, with background below. I don’t like to be pitched on Twitter, nor do others I know. Engage on matters of substance first. Ask how to pitch.

Reilley: Some do like to be pitched on Twitter. DM with a link. It’s easy to check and frees up clutter in email.

ProfNet: You also host the weekly #spjchat. Can you tell us more about that?

Reilley: Thanks! Yes, #spjchat has been on hiatus for a bit but will return in February with new guests. Follow @spjchat. The chat will be on Thursday nights at 7 p.m. CST, staring in February. @spjdepaul students and I run it: t.co/96iS7pND. We cover a wide range of journalism topics: ethics, social media, sports, copy editing, entertainment reporting, etc. @acarvin of NPR was the most popular guest. We archive the chat on Storify: storify.com/spjchat

ProfNet: That’s about all the time we have today. Mike, thank you SO much for taking the time to answer our questions! And thank you to everyone who participated!

Author Maria Perez is director of news operations for ProfNet, a service that helps journalists connect with expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/

ProfNet Connect Roundup: Cyber Baiting Teachers, Employee Engagement, Acing On-Camera Interviews

ProfNet Connect, our free online community for journalists, bloggers, PR pros, experts and communicators of all stripes, features blog section where members can write and post as their hearts desire.  The site is chockablock with interesting people and content.  Here are some of the most popular posts from last week. Enjoy!

#ConnectChat: How to Ace On-Camera Interviews
Being interviewed on camera can be an intimidating experience, even for seasoned speakers. But with some preparation and coaching, there’s no reason to shy away from these types of publicity opportunities. No one was born a pro! Grace Lavigne, editor at ProfNet, hosted this latest #ConnectChat and provides the recap.
@GnightGracie

Getting the Most from a National Campaign at the Local Level
“Managing the pull-through of a successful national brand campaign at the local level is always challenging for a sales force. Consider how much time, energy, and financial resources are contributed to the market research and development of ATU’s (Attitudes, Trial, and Usage figures) for any particular brand – let alone the money spent on Madison Avenue sales swag and potential direct-to-consumer ads running in the evening news and Sunday papers.” Brian Irwin, director of sales and strategy at Trinity Pharma Solutions shares his ideas for us.
@brianirwin9

Cyber Baiting Teachers
“Over the past couple of days, there has been much chatter from ed tech bloggers about the newest Norton report about cyber baiting.  Cyber baiting is when students instigate or taunt their teachers, capture the teacher ‘losing it’ with the class, (usually on a smartphone) and post the teacher’s outburst to the Web.” Jennifer Cronk, director at Transparently Teaching provides some suggestions on how teachers can avoid falling into a trap.
@jenniferacronk

Can’t Get There From Here –Employee Engagement
“‘Can’t get there from here’ is a New England statement that has to be said with a very thick New England accent.  It’s used because, especially way up north, all roads do not connect.  And wouldn’t you know it. This idea applies to business too.” Liz Cosline, head coach and team enhancer at From the Front Management tells us exactly how it applies.
@lizcosline

Sources, Verification and Credibility
Gone are the days when newspapers, magazines and broadcast outlets were the lone gatekeepers of news. Thanks to the emergence of mobile devices and the Internet, just about anyone can be distributors of news and information. But where does credibility come into play in all this? How do you determine and ensure credibility if you’re a journalist, publisher or reader? Here’s a recap by Jason Hahn, editor at ProfNet, regarding a recent Poynter webinar.
@jasonhahn

Stay abreast of conversations, trends and opportunities by joining us on ProfNet Connect, a free online community for journalists, bloggers and communications professionals to meet, connect and share their expertise. Creating a profile on ProfNet connect adds a search-engine friendly element to your digital resume, bolsters your online reputation and enables you to showcase your expertise to media and bloggers. Did we already mention that membership is free?  http://profnetconnect.com

ProfNet Connect Roundup: Crisis Communications, Working with Reporters, Teaching with Mobile Phones

ProfNet Connect, our free online community for journalists, bloggers, PR pros, experts and communicators of all stripes, features blog section where members can write and post as their hearts desire.  The site is chockablock with interesting people and content.  Here are some of the most popular posts from last week. Enjoy!

Working with Reporters: What to Expect
“If there’s one thing I learned about reporters in my time as a journalist, it’s that every single one of them is different. In temperament, in style, in their receptiveness to being pitched by PR pros – every reporter is unique.” Erin Lawley, senior account supervisor at Lovell Communications give us some insight on what it’s like working with journalists.
@ErinLawley

Crisis Communications: Expecting the Unexpected
The Healthcare Public Relations and Marketing Society of Greater New York hosted a breakfast seminar Thursday, Dec. 1, on the do’s and don’ts of crisis communications. Maria Perez, director of news operations at ProfNet provides a recap of the various presentations.
@profnet

What do Brand, Service, and Social Media all have in common?
“With over 750 million people on Facebook and another 135 million people on LinkedIn it is always surprising to see how easy it is to talk about bad customer service.” Are you providing good customer service to your clients? Drew Stevens, president of Stevens Consulting Group shares his experience of a bad experience with his daughter in this post.
@DrDrewSalesTips

Yes parents, I use cellphones in my English class.

Jennifer Cronk, director of Transparently Teaching discusses why she uses mobile technology in her classes. What are your thoughts on this technique?
@jenniferacronk

Grammar Hammer: The Myriad Frustrations of Holiday Shopping
This week in Grammar Hammer, Grace Lavigne, editor at ProfNet, uses frenzied holiday shopping to discuss “myriad” vs. “myriad of.”
@GnightGracie

Stay abreast of conversations, trends and opportunities by joining us on ProfNet Connect, a free online community for journalists, bloggers and communications professionals to meet, connect and share their expertise. Creating a profile on ProfNet connect adds a search-engine friendly element to your digital resume, bolsters your online reputation and enables you to showcase your expertise to media and bloggers. Did we already mention that membership is free?  http://profnetconnect.com

ProfNet Connect Roundup: Curating Content for Thought Leadership, Muzzling Social Media During Civil Unrest, Heterographs in the Matrix

ProfNet Connect, our free online community for journalists, bloggers, PR pros, experts and communicators of all stripes, features blog section where members can write and post as their hearts desire.  The site is chockablock with interesting people and content.  Here are some of the most popular posts from last week. Enjoy!

Muzzling Social Media During Civil Unrest?
“Social media empowers us with a voice and a conversation. The majority respects the opportunity that social media presents; inevitably a minority will abuse it. To me, muzzling social networks during times of unrest is tantamount to censorship, pure and simple. Do you agree?” See what Samantha McGarry, vice president of InkHouse Media + Marketing has to say about shutting down social media during moments of social unrest.
@samanthamcgarry

#ConnectChat Recap: Curating Content for Thought Leadership
“’Brands as publishers’ is a relatively new concept, but one that is gaining traction as brands start to realize the value of creating and sharing content to establish themselves as thought leaders. The content they post influences what people search and find about them, helping to make them influencers in their subject matter and industry. But content curation is a science, and to do it successfully requires not just sharing information, but sharing it thoughtfully and adding a unique point of view to distinguish yourself from the crowd.” This was the topic of our latest #ConnectChat, hosted by Maria Perez, director of news operations at ProfNet.
@profnet

Holiday Cheer Campaigns… 7 Social Media Campaigns to Make Your Customers Holidays Bright
“Take a look at some innovative ways to engage your clients through social media networks and begin gearing up for the holiday season in some different and innovative ways.” TiaMarshae Sanford, social media and marketing maven at Ego Trip Media provides some tips for your holiday cheer campaign.
@TiaMarshae

If PR’s a people industry, do we need different people?
“People are vital to communications. Not only do they make up the audiences marketers try to reach, but they are often the sole ‘asset’ a communications team or agency has.” Simon Francis, a freelance communications experts talks about diversity in the business.
@si_francis

Grammar Hammer: They’re There! Heterographs in the Matrix
Homophonic heterographs are words that sound the same, but are spelled differently and mean different things, like “piece” and “peace,” for example. Just as the meaning of our existence can be deceiving, so can the meaning of heterographs. This is why we need Neo to help us see through the grammar matrix and explain the reality of word usage!  Grace Lavigne, editor at ProfNet explains the differences between words that people often use incorrectly.
@GnightGracie

Stay abreast of conversations, trends and opportunities by joining us on ProfNet Connect, a free online community for journalists, bloggers and communications professionals to meet, connect and share their expertise. Creating a profile on ProfNet connect adds a search-engine friendly element to your digital resume, bolsters your online reputation and enables you to showcase your expertise to media and bloggers. Did we already mention that membership is free?  http://profnetconnect.com

ProfNet Connect Blog Roundup: Tips for Landing PR Job After College, Do Journalists Care About the Pitch, Journalist SPOTLIGHT

ProfNet Connect, our free online community for journalists, bloggers, PR pros, experts and communicators of all stripes, features blog section where members can write and post as their hearts desire.  The site is chockablock with interesting people and content.  Here are some of the most popular posts from last week. Enjoy!

5 Tips for Landing Your First PR Job After College
Robin Embry, vice president of Lovell Communications provides some excellent advice for recent college grads on how to get that first job.
@LovellComm

Do Journalists Care About the Pitch? 11 Tips
“Journalists do care about the art of the pitch. A good pitch makes the difference between a story in tomorrow’s paper/blog and permanent relegation to a reporter’s junk folder.” Beth Monaghan, principal and co-founder of InkHouse Media + Marketing shares some advice for PR professionals to keep in mind.
@bamonaghan

3 Shopping Cart Promotional Tactics for the Holiday Season
“I’ve been on a mission to understand online buyer behavior, and in this column I’ll look at the relationship between the cart value and the shopping cart abandonment rate. What are key price points that trigger abandonment? And can different pricing tactics lead to more conversions without eroding margin?” Charles Nicholls, founder and chief strategy officer at SeeWhy Inc.brings us this report.
@webconversion

SPOTLIGHT: Manuel De La Rosa, KRGV-TV
Every month I highlight a journalist and share their personal story and insight with you. This SPOTLIGHT belongs to journalist Manuel De La Rosa, a reporter at KRGV-TV in Rio Grande Valley, TX.
@editorev

Dear Gracie: How Social Media Changed Branding
Each week, Dear Gracie (Grace Lavigne, ProfNet editor) answers questions from ProfNet Connect readers with advice from our network of more than 44,000 ProfNet experts. This week she tackles the question, “I’m interested in tips for branders/advertisers/marketers on how social media is different from traditional media. Are there any tactics we should use specifically for social media vs. traditional media? How do brands become memorable through social media? What makes a brand successful on social media?”
@GnightGracie

Stay abreast of conversations, trends and opportunities by joining us on ProfNet Connect, a free online community for journalists, bloggers and communications professionals to meet, connect and share their expertise. Creating a profile on ProfNet connect adds a search-engine friendly element to your digital resume, bolsters your online reputation and enables you to showcase your expertise to media and bloggers. Did we already mention that membership is free?  http://profnetconnect.com