Tag Archives: video production

How to Look and Sound Great on Camera

Brett Simon, a former TV journalist who’s now a member of our audience team, suggests that you put some color around your face when you’re going to be on camera. Our colleague Vicky Harres took her advice for this shoot.

Video content is one of the most powerful drivers of engagement and visibility for press release issuers and content marketers.   Messages that include multimedia get favorable treatment from search engines and social networks; and the human eye naturally gravitates toward visuals.   Producing video is part of many communication strategies.  To develop the best content possible, it’s important that the subjects of your video look (and sound) great on camera.

The American Society of Journalists and Authors (ASJA) annual Writers Conference featured more than 80 sessions covering a wide variety of topics, including  “How to Look and Sound Great on Camera.”  While the conference was geared toward writers, the tips work well for anyone in the camera’s lens.

Three panelists shared their tips on how you can hone your personal style, develop an appealing speaking voice and craft effective messages.

The panelists were:

  • Rachel Weingarten, style expert, marketing strategist, personal branding consultant, and founder of Interrobang, a marketing and promotions agency. Weingarten is the author of “Career and Corporate Cool” and “Hello, Gorgeous,” and is a regularly featured expert on TV shows, including “Good Morning America” and the “Today” show.
  • Nancy Daniels, founder of Voice Dynamic, offering voice training, voice improvement, and public-speaking solutions through seminars, corporate training and group workshops. Daniels is the creator of the “Voicing it!” DVD training program, which helps clients find their “real” voice and correct problems such as low volume, nasality and childlike tone.
  • Brad Phillips, president of Phillips Media Relations, a media presentation firm with offices in Washington, D.C., and New York City. Phillips is a former broadcast journalist and producer, and is the creator of the popular Mr. Media Training blog, offering media and presentation training.
  • Eileen Kennedy-Moore (moderator), a psychologist, author, and blogger at PsychologyToday.com, moderated the discussion.

Rachel Weingarten

The average American watches 28 hours of video a week, said Weingarten, or roughly nine years of their lives. In October 2011, more than 184 million people watched 42.6 billion videos on YouTube.

“People really are hungry for videos,” said Weingarten, “and especially for good videos.”

The first thing people think about when preparing a video is what they should wear, but there is more to looking good than what you’re wearing. In fact, the No. 1 key to a good video appearance is that you exude confidence, even if you don’t feel it, said Weingarten. How do you do that?

Know your stuff. Do your homework, and prepare as much in advance as you can. Know what the set is like. Do as much research on the host as you can, and make the host the focus of your attention. “If the host loves you, the audience will love you,” said Weingarten.

Be put-together. “People make snap decisions,” said Weingarten. “You want them to focus on your knowledge, not on what you’re wearing. For example, there’s a lawyer that loves to wear head-to-toe green suits. People tend to tune out his message because they’re so focused on what he’s wearing.

Be picky. Research every opportunity, rather than accepting every offer. Weingarten shared the story of how she was offered to be on “The Daily Show,” but turned it down because it would not have provided her the kind of exposure she was looking for.

Be comfortable. When deciding what to wear, pick something you’re comfortable in so you are not self-conscious. Otherwise, you are going to be too distracted to do a good job.

Nancy Daniels

“The way you sound on your answering machine is the way everyone else hears you,” said Daniels. If you don’t like what you hear, there are ways you can improve and find your “real” voice:

Record yourself. Practice by recording yourself in a mock interview session with a friend or colleague. This will help you gauge:

  • The volume of your voice: “You don’t want to speak too softly,” said Daniels.
  • Your accent: You don’t have to get rid of it, but you do have to be understood.
  • Whether you speak with “Valley Girl-ese,” as Daniels calls it. “If every sentence sounds like it ends in a question, you will not sound confident or professional.”

Find the friendly faces. The secret to public speaking, said Daniels, is to treat the audience or interviewer as if you were having a conversation in your living room. Zero in on your “smilers” – they will make you feel more confident.

Learn diaphragmatic breathing. It’s OK to be nervous. Learn to breathe with the support of your diaphragm; it will help you take control of your nervousness. Daniels recently wrote about how to control what comes out of your mouth when you’re nervous.

Brad Phillips

When speaking to the media, remember that your job is not to be comprehensive – your job is to give the public only enough information to take the action you want them to take. Reduce your points to your three most important messages, and support them with compelling stories and statistics.

People will remember almost nothing you say during media interviews, and one of the ways you can combat that is through repetition. “It takes 7-15 repetitions for people to remember your message,” said Phillips.

So what makes a message effective? According to Phillips, an effective message is composed of stories, statistics and sound bites.

Stories: These can be a personal story, an anecdote, a case study or a historical example. It just has to reinforce the theme of your message and make it less abstract and more tangible. You should be able to tell a compelling story in 20 seconds or less.

Statistics: Don’t use raw data; use statistics in a way the audience can relate.

Philips gave this example: “Five million Americans have Alzheimer’s.” That doesn’t immediately make you think, “Wow.”

Try this instead: “Fenway Park seats 37,000 people. It would take 135 Fenway Parks packed with people to hold every American with Alzheimer’s. That’s 5 million people in total. Now, think about the family members caring for that patient. It would take almost 600 Fenway Parks, packed with people, to hold all the patients and family members affected by Alzheimer’s.”

“For most people,” said Phillips, “that statistic is more powerful, evoking a specific image and producing that desired ‘Wow’ response.”

Sound bites: Sound bites are short, wonderful quips that are repeatable – e.g., “If it doesn’t fit, you must acquit.”

Other types of sound bites:

  • Simile, metaphor, analogy
  • Witty
  • Rhetorical  questions
  • References to pop culture

Once you have your messages, prepare for the interview. Create a worksheet detailing each message, and the story, statistic and sound bite for that message. Repeat for each message.

On his blog, Phillips shares more tips on how to create a message: Creating Your Message: A Seven-Part Series.

Q&A

Q: When offering statistics, do you need to provide the source?

Phillips: Your goal is to intrigue. In a public presentation, I would stay away from it. Unless it’s core to their understanding, I wouldn’t focus on it.

Q: Which television personalities should we watch that have a good presence?

Daniels: Diane Sawyer – her voice is like a blanket around your shoulders. Listen for the voice that has warmth, speaks comfortably.

Phillips: Newt Gingrich and Al Sharpton are both very effective in their own way. Also, Tom Friedman – what I like is that he comes in very prepared, with three or four tight bullet points he can deliver in 20 seconds. One thing I don’t agree with that he does is saying the name of the host – “Well, Diane…” – because you want the audience to think you’re talking to them, and that breaks the connection.

Q: If you make a mistake, should you correct it or let it go?

Phillips: It depends on the nature of the mistake. If it’s a mispronunciation, let it go. If it’s a significant mistake, correct it.

Author Maria Perez is director of news operations for ProfNet, a service that helps journalists connect with expert sources. To read more from Maria, visit her blog on ProfNet Connect at http://www.profnetconnect.com/profnetmaria/blog/

Ask PRN: How to script a PR or marketing video

Every Friday afternoon, we’ll answer a question we hear commonly from our customers about some aspect of public relations or marketing. 

Planning a family vacation?  It’s unlikely you’re just going to jump in the car or show up at the airport and literally wing it. Instead, you’re going to plan, pick your destination, make sure the kids are off from school, and book a hotel that has something for everyone in your clan.

Successful videos are similar in this regard. It’s essential to plan the trip you want your audience to take before jumping into a script— destination unknown.

Creating a good PR or marketing video campaign requires the same attention. It’s essential to plan the trip you want your audience to take before jumping into a script.

As a producer, I’m used to fast turnarounds where a client hands me his materials and  ideas and I whittle everything down into a script with b-roll and sound bite.  But as we in the industry are faced with more and more clients in search of content that evokes real emotion, rather than just a news report, I’m finding myself looking at the creative GPS, searching for the Valhalla of creative content.

Enter The Creative Treatment – a tool script writers have been using for years, and why? Because it works.  A treatment is a one page concise compilation of an idea– the itinerary for the video you will eventually create. The reason why it’s such a useful tool is because it allows you to present your idea to the client creatively without assembling a script that may not be what they’re looking for.  The treatment is a client check point, if you will.  Many of us have been in the position where we’ve sent our client a script or an edit we’ve worked on for days only to find out they don’t share our enthusiasm.  These things happen of course, and while the treatment doesn’t guarantee it won’t happen again, it does at least give everyone the ability to work out the kinks and get to the core of what is desired before getting too far along in the process.

The treatment consists of four parts (see example above) and with this we can present our ability to conceptualize a unique idea, respond to client needs, and be, hopefully, better producers.

“The secret of getting ahead is getting started. The secret of getting started is breaking your complex overwhelming tasks into small manageable tasks, and then starting on the first one,” said Mark Twain.  It’s good advice for anyone building a content strategy.

CREATIVE TREATMENT

Type of Video (Webisode, Training Video etc.)

Prepared for: (Job name/client)

Background:

A short summary of the background information client provided on a call or with background materials

Objectives:

A bulleted list of the videos behavioral objectives aka the goal you wish to accomplish with this video…It can begin with “After experiencing this video our audience will be able to: and then the list

Strategies:

A bulleted list of what will be done in terms of structure, devices and techniques. For example: Create the behind the scenes feel using several GoPro cameras etc.

Creative Approach:

Finally the place to present your creative idea. Should be a one paragraph present tone narrative using detailed descriptions to set the tone and the style of your video. For example: We are bombarded with the sounds of a busy city street as the faces of its hurried inhabitants stop to stare in curiosity etc.

Like the idea of using online video, but need some help getting started? Our free white paper, Building Engagement with Online Video, is loaded with ideas and case studies to help you get your video projects underway.

Author Jill Wax is a producer for MultiVu, a PR Newswire company that specializes in multimedia creation, production and distribution.

What Types of Video go Viral on YouTube?

Just like the varying types of media that communications companies work with today, there are also several ways in which this information can be sliced, diced and analyzed.  Thus, multimedia engagement can be discussed with infinite approaches.

In one of the latest efforts to get a handle on the topic, The Pew Research Center has just released a study on the most popular news footage uploaded and viewed on YouTube.  The goal was to examine some concrete features of the videos within the YouTube News and Politics Channel that went most “viral” each week over the course of a 15 month period (January 2011 through March 2012).  Some of the key takeaways include:

-          Regular people (not news outlets or journalists) posted close to 40% of the content

  • While much of this 40% was originally produced by a news outlet, a large portion of it was not sourced correctly, if at all
  • The most popular (“viral”) news videos focused on controversies, striking disasters or humorous occurrences
  • The lengths of the popular news videos range from less than one minute to over 15 minutes!
  • A large amount of the most popular news content was raw, unedited video

This really shows the differences between TV and online viewing habits.  Can you imagine watching a story that is longer than 2-3 minutes on TV news?  What about unedited, raw video?  Citizen journalism seems to be successful when it comes to unique and / or shocking news stories, but the consensus seems to be that more requirements are needed for proper news sourcing, beyond YouTube’s current attribution guidelines.

Another notable point is that while YouTube contains a large portion of popular online video and international viewership, it is not the only destination for news video, especially for U.S. audiences (only 30% of YouTube traffic is U.S. based).

It would be interesting to see what some of the viewing trends are on other YouTube channels, and perhaps on other online video hubs like Vimeo or Treemo.  The definition of “news” has undoubtedly evolved during the past several years, and with that, so has “journalist,” “branding,” “marketing,” and “PR.”

 Author Gena Sabin is the director of multimedia business at MultiVu.

9 Tips to Make Your Next Video Production Successful

See examples of well-produced videos on PR Newswire's web site (just click this image.)

Nowadays, most brands need to create compelling content to fuel social media and content marketing campaigns.  Multimedia assets generate more audience engagement, and video is the most compelling format of all.  But video production can get a little complicated. To help ensure your success, here are some important tips from the team at MultiVu for shooting and producing video content for the web.

  • Pre Production:  Develop a concept and an outline before you start shooting.  People respond best to personal stories…the more storytelling you do the more engaged your viewers will likely be.
  • Shoot in High Definition.  Consumers are used to it and anything less is starting to look cheap.
  • Consider hiring a make-up artist.  Imperfections are exaggerated on camera.  You can also have someone on staff (who is skilled in make-up application) handle make-up.  Just go to any Sephora and purchase foundation and a brush.  The people who work there are helpful and can direct you to the right products.  Remember, though, that a professional make-up artist understands the nuances of video you may not consider.
  • Create original, short and honest content that’s easy to share.  90 seconds or under is usually best.  Anything over 3 minutes is really pushing it.  People like to snack on web video; attention spans are usually very short.
  • Avoid teleprompters and jargon:  it’s obvious when a prompter is being used and consumers can become distrustful.  Also, try to avoid jargon like “best practice,” “game changer,” “customer-centric, “and “synergize,” to name a few.  Wikipedia has a great page on jargon: http://en.wikipedia.org/wiki/List_of_corporate_jargon
  • Producing and uploading video properly is complicated.  If you have some budget, hire a production agency to help.  A good producer can help you generate video that appeals to online audiences and doesn’t compromise your brand’s identity/aesthetic.
  • Uploading content on the web: Make sure you get the specs that will work best for the site you plan to upload your video!  Resolution matters. The kind of file – like Windows Media or Quicktime – matters.  A codec – like h264 – matters a lot, actually.  It’s important to know the options that are out there, and which is best for your particular video upload.
  • Humanize your brand: bring your executive/senior leadership team out of the boardroom and into the online conversation through social video.
  • Bloggers like video.  Are you giving them anything useful?  Have you asked your influencers what they might like to see?

People appreciate short video that’s honest and useful.  If you take some time to learn who your audience is, what they want to see, and then produce video based on their feedback/interests…you should be in good shape.  If you can hire the professionals to help guide you along the way, you’ll be in great shape.  Whatever you do, good luck and try to remember the aforementioned tips on your next production. :)

Author Evan Horisk is an emerging media & live events producer for MultiVu, a PR Newswire company.